Watching the scenes depicted in the book materialize one by one is a very magical process, which is a little disappointing, but more of a surprise. When Little Fatty's elder brother Hang Yi appeared, it was completely different from what I imagined Hang Yi to be, but his youthful, mature and sensitive and sadness still matched the image in the book very quickly. The supporting roles in the book are full of superstars, whether it is Hiroshi Abe's Sakagami-sensei, Nagasawa Masami's Koyuki-sensei, Odagiri's father, they are all actors I like very much, and they all fit the roles themselves. Emi's mother Yui Xia Chuan looked familiar, and only after reading the introduction did she realize that it was the gentle mother Yukari in "Never Stop Walking", no wonder.
The first time I heard about Kagoshima was in Makoto Shinkai's movie "5cm per second". At the beginning of the movie, Takashima was forced to move to Kagoshima with his family, which felt a bit exile. Later, I also saw Kagoshima on the map of Japan. It is the southernmost county in Japan except Okinawa. It has a nice name and a special location, so I wrote it down. But in "Miracle", the biggest feature of Kagoshima is the ever-present volcanic ash. I've always felt that volcanoes are far away from me, so I can't imagine what it's like to live so close to a volcano. On the way back from buying the light soup, Hang Yi asked my grandfather in the red Ferris wheel why he lived so close to the volcano. After thinking about it, my grandfather said, we have long been used to it...I used to occasionally Think, why do you have to live in a place like this? However, we were born here, grew up here, and grew old here... It's impossible to imagine things like maybe living a different life elsewhere. I have also wondered about the same question before. Why do people who live in deep mountains or wastelands endure extremely harsh natural environments and extremely scarce information resources, and never think about leaving their hometowns and looking for a better life? Maybe they didn't know there was a better life, or even if they did, they didn't feel it was relevant to them. Everyone lives by inertia, and not everyone has the determination and courage needed to make changes.
I like Ryunosuke's optimism, cheerfulness and heartlessness. Dad was woken up from a dream, holding a guitar and playing a melody with a mottled memory, but he couldn't remember it clearly. Ryunosuke suggested: Do you want to sleep again? Dad gladly accepted it, and then actually went back to sleep. Father and son are so similar in nature, that's why Ryunosuke resolutely chose to separate from his brother when his parents divorced, and accompany his father. How lonely it would be if Dad didn't have him. Love him being the mascot of Dad's band, giving everyone a happy high-five when the band is going to play, and then standing by the entrance to help Dad sell CDs. In my life with my father, he is actually taking care of my father, using his cheerfulness and tolerance to guard my father's dream of loving music. At the end of the film, he asked his father what the world is, because he had some insight, but his father changed his words, perhaps because he realized his son's growth.
Also like Hang Yi's paranoia and precociousness. He was enthusiastic and focused when helping his grandfather to make light soup, and he did not feel that this traditional craft was boring at all. That's why the book says that what it would be like to make a light soup for decades, Hang Yi doesn't know, but the gesture of slicing the light soup into squares probably resides in a god. Japan's craftsmanship has always been highly respected, but it is not replicable. In the rapidly changing modern times, how many people are willing to endure the monotony of decades?
The thoughtfulness shown by Hang Yi in the process of planning the miracle plan is also admirable. Consult maps and train itineraries to make detailed travel plans, calculate all expenses, try to raise money, and even instigate grandfather to cover him to avoid pretending to be sick... It's hard to believe that this is what a boy in grade 6 can have. The quality of a man can't help but think of my dear cousin. In the second year of junior high, her mother didn't worry about letting him take the city bus, which made her feel ironic.
There is also a scene in the movie that is not as detailed as the description in the book. Koichi's friend, Xiao Zuo, was jealous of his classmate Tsutsui's bell for Mr. Koyuki's bicycle, so he secretly took the bell with guilt because he didn't believe in miracles. But later, under the stimulation of Tsutsui's Shinkansen tickets and the persuasion of friends, he decided to believe in miracles and do things that others can't do. So he returned the bell to the teacher. The teacher clearly knew what was going on, but he didn't dismantle it. He only said that the teacher liked the sound of the car bell, and I was really happy to find it. This is true tenderness, they are really happy to have such a teacher. So Xiao Zuo returned the bell and returned the guilt. He was finally able to run towards the miracle with his friends without hesitation.
The greatest miracle in the world is the way you live right now.
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