The process of people from fairytale to surreal may be a process from excessive love of fantasy to despair. When we are still naive, we give life to everything we touch, or personify it. We like canned villains and toys. Soldiers, without scruples, extend their own world to the real world. Slowly we discovered the naivety of such stories, the powerful stubbornness of the real world and the contempt for the self-world, and we used surreal ways to escape reality. I objectify everything in turn, and to objectify myself is to Life is regarded as "being raped", slowly stop resisting, learn to enjoy, and materialize emotions (desire) is to buy an inflatable doll to solve sexual desire (in the play, Xiaowang's self-talk repeatedly emphasizes this point), when this object Suddenly came to life, but scared the master
After Xiaowang has a heart, he should be considered a human being, at least a living being. I don't know if he understands what "sexual desire" is. Or is it just completed as its own inherent mission is empty. Xiaowang starts from imitating the simplest actions of people, until he discovers that he is an "air man" through his own shadow. He goes out all the way, whether he is trying his best to understand the world around him, or is he trying to understand himself, it seems unclear, I tend to The latter, otherwise the male colleague will not be cut in the end. When I found out that in reality, people can have sex with inflatable dolls and really treat them as lovers (another American film), and when people can still elope with their iPhones (see BL), I feel that people's emotional abilities have not deteriorated, but Forced to deviate from reality, and can go very far, bringing infinite possibilities. After ignoring the issue of love (desire), the point of view goes back to a traditional question, can love and sex be separated, or which one is more leading to the other, when a man is "using" Xiaowang , the element of love should be absent or very low. Even if there is an increase in the number of uses, the element of love will continue to decrease, and the heart should become more and more empty. Conversely, when a man blows his breath, Xiaowang was excited, but she wasn't sure whether she fell in love with that man because of it, so she felt more and more that love should be separated from sex, and it had nothing to do with it.
The movie seems to unfold from Xiao Wang's perspective, but it's a little rambling, then very rambling, and neither surreal nor fairytale. When Pei Douna fully appeared in human form, it destroyed the texture of the whole Xiaowang. This is the director's problem. There is also the last part. I even watched it and dragged it back twice. How did Xiaowang die or didn't understand, and committed suicide? Also, did the new puppet live like Xiaowang? Looking at Xiaowang in the garbage heap and shouting so beautiful, is it expressing the new girlfriend's attitude towards her boyfriend's ex-girlfriend?
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