Being alive is the mental state of a little man when he is struggling at the bottom.
But we feel a kind of power, a kind of power that is unwilling to "sink in subordinates".
The camera slowly brightened in that hut, and a cheerful soundtrack sounded, sweeping away the haze before, Yin Tianqiu seemed to always be full of hope for tomorrow, and the stage for his adaptation of the Chinese literary masterpiece "Thunderstorm" was set up.
On the day of the release of "Thunderstorm", the weather was extraordinarily sunny. He picked up the oil-paper umbrella, which was a bird's-eye view, as if he was asking the sky why the director liked to play with me so much.
I find this treatment very ingenious. The depth of "The King of Comedy" represents Zhou Xingchi's big step towards realism. There is no supernatural A Xing, the eloquent "absurd mirror", Tang Bohu, who has both poetry and painting, and Ling who has a royal kitchen knife. 07. The inventor's zero hair, the extraordinary mana Monkey King, Zhou Xingchi was beaten back to his original shape, he was just an actor, a "dead runner" who wore an ill-fitting suit, and would pinch his tail just because of a bento Be a human extra.
This is the most real Stephen Chow.
In a dark tone, those cheerful soundtracks that suddenly sounded are always full of hope. I have to say that the soundtrack of "It's Just an Empty" that sounds from time to time makes the whole film have an ethereal artistic tone. Yes, it is the word "ethereal". I even think of the poem "After empty mountains and new rain, the weather is late and autumn comes". The film has nothing to do with fame, wealth, and wealth. It is so quietly narrated that there is not even any plot. From time to time, the protagonist is teased to make him happy or sad, let him play "Thunderstorm" on a sunny day, and let him say "As long as the director still "You can't stop without calling CUT." Then the director didn't call cut, but he was roasted into a chicken leg. After the action, he was killed with the first shot. The director seemed to like this cruel dismemberment very much. He built a certain building block, and then Rude and utterly destroying it, he seemed addicted to this cruel game, even a little lost for a while.
So the soundtrack of "It's Just an Empty After All" just rightly shows this state, everything is so ethereal, and the director doesn't seem to know where to lead this extremely literary, ethereal, indifferent, and detached emotion. So a snake tail was born. The abrupt ending is obvious.
This movie can't be finished. The narrative style of the whole film is so elegant and ethereal, and the nonsensical gag seems to have become a supporting role. It is in the face of an absurd and unreasonable world.
I let the Buddha see the director wipe the blood on his mouth.
The director is so cruel.
So we see, "Actually, I'm an actor" has sublimated. We can't even see the ambition of Yin Tianqiu. He is digging into the depths of individual life, not for fame and fortune, but to realize his own value. Facing the absurd and unreasonable world, he chose to believe in himself, no matter how humble, how frustrated, and how brokenhearted, he believed in his own ability and value, and put it into action.
I think this film perfectly illustrates the existential aesthetics, this is not a commercial film, this is a delicate work with an existential aesthetic leanings.
Zhou Xingchi is worthy of the title of a generation of art masters.
In fact, this aesthetic tendency can be felt in "Shaolin Football", "Kung Fu", and "Changjiang No. 7". As for "Journey to the West", it no longer exists, because it seems that no actor can use this tendency like Zhou Xingchi. Such a pure and wonderful performance came out.
View more about King of Comedy reviews
