Don't Look Back--Sophie Marceau and Monica Bellucci

Sheridan 2022-07-22 09:56:49

"Don't Look Back" is a suspense thriller horror film directed by Marina de Van and starring Sophie Marceau, Monica Bellucci, Andrea Di Stefano, etc., released in 2009. A psychological story between a writer and two children. The orphaned Monica was adopted by an Italian woman and went to Italy. Because the blow was too great, I didn't want to recall the tragedy at that time but only wanted to remember the good memories, so I created a safe and beautiful world for myself in the new environment.

Sophie would be fine if she didn't exist, so she became Jenny, the blonde woman, and herself, the black-haired Monica, disappeared, her husband in his eyes. When she was a child, Li became her beloved little boy. They had a son and a daughter, and they were very happy, and the key to the establishment of all this was Monica's career as a writer.

Until one day, a failure at work made Monica almost collapse. Under the pressure, she saw her childhood self, indicating that her self-constructed spiritual world began to collapse, and she began to slowly change back to her original appearance. All these changes caught her off guard. Monica, who had completely disappeared, could not even recognize her childhood self. She said to the window that someone had jumped off the building, indicating that someone had died, but Monica subconsciously hoped that the one who died was himself.

Confused, she began to track down the truth. She had been playing this game for too long, but there was always an end to the game. She went to her mother for help. Since she believed that she was Sophie, in her eyes, her mother was the woman with blond hair. When they returned to her mother's house, Sophie had no intention of looking up the photo of her birth mother and Sophie's mother and daughter. The adoptive mother also changed back to her original appearance. The woman with silver hair and black eyes was getting closer and closer to the truth, but the adoptive mother did not want her to experience the pain of the past again and did not want to tell her the truth. Prevarication is perfunctory.

Monica ignored her adoptive mother's objections and insisted on going to France to find the truth. Her husband didn't know what happened to his wife and hoped to help her, but she fled with the face of a stranger, because at this time her husband It also changed back to its original appearance. Monica finally went to the restaurant where her adoptive mother accidentally mentioned it. She saw the woman she thought was her mother and the man she thought was her husband. She was so excited that she shouted, "Mother," but the woman looked strange. And she became a little angry. She saw that this girl was the Monica of the year, and she didn't want to recall the pain of losing her daughter and left in a hurry.

The younger brother, who happened to fall asleep at the time, was still young, and his memory has long been blurred, but he has a vague feeling of familiarity with Monica. I don't know what happened to her, and I hope I can help her. So he went to the hotel to find Monica. Monica still regarded him as her husband, and the two had sex. After a while, Monica realized that the experience was completely wrong, so he thought that the blonde mother was hers. She must be hiding a secret.

So she sneaked into the blond woman's house, where everything was both unfamiliar and familiar. Sitting in front of the mirror, she slowly changed back to her childhood self. She finally remembered the car accident in her childhood, and the blond mother came in and touched her head. Smiling at her, the blond mother was finally willing to face the pain of her bereavement.

Although Monica remembered the accident, she still thought she was Sophie and thought that everyone else had made a mistake. That is why her mother and others called her Rosa Maria. She ran away in fear. She returned to the hotel and dreamed of her biological mother, but she didn't think it was her mother, and she was still very resistant, unwilling to accept the fact that she was Rosa.

The next day, when she walked out of the hotel and saw her adoptive mother, who came to pick her up, she was so confused that she didn't even want to talk to her adoptive mother. On the return train, she changed back to Sophie's clothes and changed back to Sophie. When she got home and opened the door, the children and her husband hugged Rosa in front of her, and no one could see her, only Rosa quietly smiled and looked at Sophie. Since it's so painful to let go, let's accompany each other just like when we were young, so is it still important whether I am you or you are me?

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