It's strange, before I went to the cinema to watch Shaolin football, I watched almost all of Zhou Xingxing's films more than once. From his debut drama to the peak of his nonsensical style, I haven't watched "The King of Comedy" because he is also a star. His buddies have a very low opinion of him.
I watched this film one day in college. I spent all night in an Internet cafe, it was after four in the morning, I didn’t have the energy to play games, read novels, and it was so hot that I couldn’t sleep. The network fee contributed is no less than 3000 oceans, and he will not supply air-conditioning after 2 o'clock in summer), click on "Chou Xingchi Series" with the mouse, swipe through a movie that has been watched no less than three or four times, and is suddenly attracted by an unfamiliar name - The king of comedy.
I'm glad I didn't miss it again.
This is Cecilia Cheung's best film, I insist; this is Stephen Chow's best film, I insist.
The first time I watched Zhou Xingchi's film was not tears of laughter, I watched Brother Xingxing very wretched, very small Shenyang, and counted out a handful of gross receipts, a red envelope, a watch, and a copy of "Actor's Self-cultivation". When I became an ostrich, my nose began to twitch; I watched Bai Zhi wearing that blue shirt and her long hair fluttering like a goddess descending; I watched her pick up all the belongings of the stars with a cold face, "Thank you boss" , turned and walked away so stubborn and so fragile; a sourness rose from both ends of my nose; to the star version of "Brother Sharp" shouting loudly: "I will support you!"; Bai Zhi seemed to cry in the back seat I could not control my tears any longer.
At 5:30 in the morning that day, a fat man who was still slender at the time was crying silently, very post-modern.
After going back that night, I was very surprised why my best friend would give such a bad review to such a classic of Zhou Xingxing.
"At that time, it was boring, but not enjoyable."
At that time, we were only the third year of junior high school; we were young, and we were the protagonists.
No wonder it feels so boring, this is not a play written for the protagonist; no matter how lowly Xingxing started in the past, in the protagonist mode, he will always be dazzling. At the end of this play, Yin Tianqiu was still a little guy who entertained himself in the drama club of the society. He didn't rise to the sky in one step, and he didn't have a flash. He was like a little guy, no, just a little guy.
A dead man's trick.
When we were young, we were Chaoyang, we were conceited with high IQ, supported by teachers, loved by our parents, as if the whole world was shining for ourselves, key junior high schools - key high schools - key universities - good jobs, big houses, cars, beautiful women, how wonderful Trajectory, we are the protagonists, and our success is only natural.
It was only when I grew up that I realized that life is very hard, the world is helpless, the number of protagonists is limited, and I am always a substitute. We are just ordinary people, stumbled through four years of college, stumbled to work to make ends meet, and useless debts and slaves - it turned out that I was just a trickster.
Only when we grow up can we truly understand him: "The King of Comedy" is not a YY drama, Yin Tianqiu only has three lines and three words at the end, and only a small piece of paper the size of a fingernail is tightly grasped.
At that time, I was sitting in an Internet cafe with tears streaming down my face - a dead-end trick.
Years later, after working, I watched "The King of Comedy" one night, and my nose was still sore, but I was surprised to find that it was still a YY drama.
A beautiful girl who refuses the temptation of rich money and would rather be beaten and return to you, a beautiful girl who allows you to steal food occasionally and make sweaters for you silently, and a beautiful girl who is willing to work hard with you.
A man who is indomitable, has no house, no car, and no serious work, a literary and art lover who can build a spiritual civilization before reaching a moderately prosperous material life, and a superb man who is willing to reject the favor of rich women, and reject both love and career for love. .
A king of comedy satisfies countless men and women, and a grassroots YY.
Very strange, this time, the bruised eyes, the vulgar laugh, the Cecilia who jumped cross-legged on you when excited, replaced the previous Cecilia with blue shirt and long hair, and became the most beautiful girl in my heart. My aesthetic Is there a deviation?
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