After reading a lot of hot comments, what moved me the most was this sentence - "The scarred parent-child relationship in our Chinese community has been deeply rooted in genes, but we still haven't learned how to make both parties feel at ease and love others and ourselves." The parent-child relationship with his father, the friendship between Caitou and Ah He, the love between Ah Hao and Guo Xiaozhen, or the husband and wife relationship between father and mother, all relationships have one thing in common— —Although there is communication, the relationship itself is always fragmented and estranged. Different from Yuan Zhesheng's "Loneliness Game" that "a sense of predicament must be faced by people who are born", the loneliness of family members presented in "The Sunshine" is not "must face", but can be changed. The communication between people in the film is hard, tending to be confrontational, or a little bit better - it is also restrained, implicit, and it is never expressed bravely and sincerely in face-to-face anyway (for example, my father never He expressed his love to Ah He, but secretly accompanied him to protect him, even at the risk of killing people. Does he really know Caitou who was killed by him? Can the problem be solved only by killing?) In our culture, it seems that There is an underlying "expectation of understanding and obedience," and shame that inadvertently rejects "direct expressions of love." Family - itself should be a warm harbor, but when the relationship with family members is only limited by the unavoidable shallow daily communication, while ignoring in-depth communication - it is not necessary to talk about the meaning of life, dreams or other high-level things The in-depth communication of the topic is a kind of "emotional seeing" love - allowing the expression and release of negative emotions, allowing happiness and sadness. When love is aphasia, family members are not really "seen", and the real needs of self are ignored or covered up, and psychological disorders will occur. This is why Ahao committed suicide (Ahao received too much sunlight, I even suspect that he committed suicide to hide in the real shadows, and to commit suicide for the sake of family harmony), why Caitou would It seems so bad (how can a child who has no parents and grandma depend on each other for life, helps friends out of anger and commits crimes on the spur of the moment, but is regarded as a troublesome child by friends, how can he become a good person in everyone's eyes?), why does the wife seem to know nothing about the husband (the wife completely I don't know that my husband also loves my second son, and I don't think that my husband will kill)... I like the ending - Ah He bravely expresses her love - carrying his mother like his mother when he was a child, driving towards the sun, towards the shadow, Towards a future of half-darkness with limitless possibilities. And Ah He and Caitou also really hid, maybe they hid happily too.
(Not a film review of a film review, only a little extension of the content)
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