Good prose is loose in form but not in spirit. This movie is like an unqualified prose, but in form and spirit. The plot of the whole movie is scattered, the rhythm is slow, and the center is not prominent. Ahao's story is even a bit inexplicable. There is no positive plot to express Ahao's emotional conflict. He died when he was suppressed and forbeared. Just like the story implantation of "Sima Guang", it seemed blunt and ignorant. The content that follows is the history of the redemption of the youngest son. The history of redemption includes love and tears, as well as the sacrifices of parents, as well as sadness and struggle. However, there is no relationship between sunshine and shadow. Secondly, there is no logical relationship between the situation before and after, and the movie spends a lot of time showing unrelated plots. For example, the conflict between Ah He and his inmates, the plot of the victim throwing feces, the scene of Ah He getting married, the life experience of Ah Yu, and even the line of Ah Yu has no practical significance. The 2.5-hour movie seems procrastinating and boring. Protruding from the center, if the brother's last words are the theme of the film, then the whole film is too light on the head and too heavy on the feet. One star for Xu Guanghan, one star for Huangfa Caitou...
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