Nezha was a famous rebel, and for him this was an unconventional fate—his own fate was the exception, or the rebellion was his fate.
It is necessary to distinguish between destiny and destiny. Destiny cannot be changed, but destiny is a repetition of writing. The subject behind the speech forces itself to repeat itself, and the unconscious is at work here.
Nezha has been regarded as a magic pill of evil since he was born, while Ao Bing is a dragon ball of goodness. This is their destiny. No matter whether the previous image of Nezha is a rebel of patriarchy, in this film, both Nezha and Ao Bing's teacher and father are all people in the system, settled down and anchored themselves in the bureaucracy. their fate.
Their destiny is based on the xenophobic legal system, the demon clan cannot become gods (that is, they cannot be promoted), while the dragon clan and the Li family rely on suppressing other monsters for a living. This is a hierarchical difference. Chentangguan is very similar to the Dragon Palace. This is a city that relies on rejecting monsters for a living. In other words, only a huge disaster can force everyone to unite - Nezha is a stranger in the city, he should belong to monsters, but Citizens cannot sit still when this constitutive externality moves in to disrupt the order of the city-state.
Because of this, people's fear of Nezha and their worship of Li Jing are isomorphic, that is, a powerful figure fills the city-state's black hole of fear. Similarly, when Ao Bing came as the savior, people clapped and applauded, completely unaware that Shen Gongbao wanted to use war to show off the greatness of his disciple.
Having said that, you may be able to understand why "rebellion" is necessary. With rebels, the sovereign has an excuse to suppress. Therefore, a more clever way of governance is to rebel against the order and keep the monsters active, so as to use security to maintain the legitimacy of their own governance. Therefore, with Nezha rebelling (although he was just a child's play), Ao Bing could become a hero. This fully reflects the obscenity of the Messianic complex - troublemakers are evil, but slaughterers are great. If you think about it carefully, it is this logic that humans drive out the demon clan and kill them. This is also "where there is resistance, there is oppression", but it is like playing a family. And the dragons hope to use the order in the sky (actually superhuman) to stand out, which can also explain: where there is order, there is obedience.
Going a step further, Nezha had to keep fleeing and making trouble when fate could not come out, while Ao Bing had to hide his identity as a monster and win glory for the dragon. It is the post-subject enjoyment that drives them to repeat, to weave the endless web of destiny: the rebel within the system, whose every step is paving the way for the perfection of the system. Therefore, the vision of this film can only be limited to personal heroism and family - the rebels will eventually be included, just as the troubled children will always be punished by their parents, this is "where there is resistance, there is bribe." The fate of rebellion is an infinite cycle. To jump out of it, you can only abandon "democracy" - true democracy is born after the death of the democratic system.
As mentioned above, the dragon is regarded as a nasty monster here, just not "humiliating China". People's fear and insult to the demon clan was reflected in the first movie - "The Birth of a Nation": "Respecting the beauty" can only be "respected" by "humiliating the black", to be precise, "respecting the white".
View more about Ne Zha reviews
