First of all, I have to admit that this film is indeed the best commercial animation film in China in the past five or ten years, and it deserves a high box office. But can he be a classic from the point of view of a work of art? From the perspective of classic adaptation, the overall script framework of this film is indeed surprising, and there is also a seemingly hot theme of "revolting against the prejudice of this world". But just having a seemingly hot-blooded theme can be called a good movie, but this seemingly hot-blooded theme is not so tenable when you think about it. Nezha seems to be born unlucky, but he actually has the aura of the protagonist. In the past, Nezha's works were doted on by his mother and strict with his father. This one is loved by parents together. Even on the day of the calamity, he did not hesitate to involve the people in danger to celebrate Nezha's birthday. This reminds me of a lot of idol dramas. The reason why the audience is emotionally on the side of the protagonist is simply because he has an extraordinary background, has good looks, and has the right to speak. That is to say, prejudice only exists in the attitude of the people towards Nezha. And Li Jing was Chen Tangguan's boss, and the people didn't dare to do anything to this first son. Nezha wanted to save the little girl from fighting monsters and burned down the houses of the villagers, so we think the stupid villagers misunderstood Nezha. If a person causes danger to others because of his good intentions, is this kind of goodness itself a problem? Again, because of his extraordinary background, we chose to be on his side emotionally. In terms of the performance of prejudice, this film is far less dramatic than some of the previous works that even Li Jing has a prejudice against Nezha. There is also a lack of novelty in the design of the bridges within the framework of the play. I have no opinion on shit, but I think that frequent use and no promotion of the plot is a kind of abuse and a lack of creativity. Maybe the shuttlecock is a motif in the plot, maybe water is also a motif, but is Taiyi's crotch also a motif? What's the point of tossing his crotch? If the lines are so plain because they are afraid that children will not understand (many places already have performances, but still need to add a line that does not hurt or itch), then these bridges are suitable for all ages to take care of all groups of people ? The design of the lines is far worse than the design of the story, and I can't extricate myself from the buzzwords on the Internet. I thought I was watching the small animations on Douyin and Kuaishou. I am not discriminating against any art form, each art form has its purpose and function. As a movie on the big screen, it should have a higher artistic pursuit than TV and the Internet. Because more capital and creative resources are invested. Many excellent foreign cartoons often have characters with deep souls and concise and natural expressions, even children, while our cartoons often have the words of adults. Lines have been processed into giant babies. I'm not taking foreign films to belittle this film. After all, the creative environment and starting line are different, and it is indeed better than the domestic animation Nezha in recent years. I like "The Dragons and the Scales" The design of Ao Bing, which caused emotional pressure to Ao Bing and saved Nezha at the last critical moment, gave this design a very strong inheritance. For commercial films, the rhythm is also relatively smooth, and I am also instinctively moved by the emotional passages and music. Emotions overcome rationality, so I don’t consider the rationality of some settings. As a box office, I think it deserves a good box office. It's just that if the audience is only satisfied with "calling out the theme with dialogue like a slogan", and is only satisfied with some untechnical plot settings and dialogues and vigorously advocates it, then it will have a creative directional influence on Chinese animators. Not necessarily a good thing for Chinese animation
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