Several vultures hovered over the bodies that had not been completely buried in sand and stones. The blood on the bodies had already turned black, but the broken flag was still held in the hands of the bodies. In the distance, the screams of tearing and killing are endless, and there may be tens of thousands of corpses tomorrow morning. Yin Feng began to howl, as if to awaken the dead soul.
The film "Assembly" was directed by Feng Xiaogang and adapted from Yang Jinyuan's novel "The Lawsuit". It tells the story of the protagonist, Gu Zidi, as a fighting hero, after the end of the war, he learned that his fallen comrades were defined as missing and embarked on the road to find the truth. The director shaped HTC's war scenes through the use of color and quick editing, and was baptized by the soul when the final horn sounded.
The use of bright colors in the film creates an atmosphere of the times, and the overall tone of "Assembly" is warm. What it describes is a microcosm of the fate of ordinary people in the war years of the Chinese nation. The front of the film presents a dull, oppressive off-white color palette. Here, you can see the snow-capped world and the ruins left by the war everywhere. From the beginning, the film shows the dull, depressing and bloody war scenes. The soldiers in the nine companies were knocked down one by one, the instructors were blown up in half, their flesh and blood were flying, and the corpses were everywhere... There was white snow and the black land of the kiln. Originally, white represented purity and peace, but here, white expresses a kind of sadness. The most obvious emotional feature of black is terror. When people see black, people will naturally think of the vast night, and the darkness that hides countless terrible sources of terror. Black also has the emotional characteristics of sadness and despair. This is mainly because the brightness of black is the lowest. As soon as the eyes see black, the nervous system will immediately inhibit and make the emotions fall to the lowest point. Extreme white and extreme black, the two extreme colors create a strong contrast one after the other, bringing great visual impact and infection to the audience.
Different from most war films, this film more shows the fearless spirit of revolutionary fighters in the face of death. It approaches the characters, treats revolutionary fighters as ordinary people, and shows how they will face death when death comes. All kinds of complex emotional changes, not everyone can face it calmly in the cruel war that is threatened with death at any time. A cultural instructor in the film was panicked and overwhelmed at first, and finally faced death calmly and calmly. The film shows the cruelty of war in various ways. The fast-paced editing method realistically restores the battlefield environment. When the blocking war is about to start and the enemy is getting closer and closer to our army's position, the editing speed of the shots is getting faster and faster. The 3-minute fierce battle segment uses hundreds of shots, and the average is A shot takes less than a second. This fast-paced splicing not only truly creates the tense state of the war and the fleeting cruelty of life in the war, but also can quickly bring the audience into a tense state of battle. In this fast-paced editing, the scenes of many characters falling to the ground and dying in less than a second flashed quickly. There is no long sad lyricism of sacrifice scenes that are specially shot in traditional war films. The tragic situation hit the audience's heart directly. It is this deliberate flash that makes the audience deeply remember those unknown fighting individuals who were ignored in the war. They are all heroes, and we should remember them as well as famous heroes.
See the objective in the cold, and see the inner meaning in the truth. The small frame tells the camera to focus on the war-torn battlefield, showing the breadth of the world with a square inch of land, so what is the time when the time is quiet, but there are people who carry the burden for us. The past is not as prosperous as it is now, but the people of today are more powerful than the past; looking in the mirror to reflect the beauty, looking at history and looking at the past and the present; paining the blood of the ancestors, sad for the rogues of the present.
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