It's not the kind of pure and silly commercial film at all. There are spoofs everywhere. . In the beginning, the exaggerated performance of the first agent (Johnny Knoxville) when he died; the stethoscope on the back during the physical examination; the prostate examination of the old agent; the gunshot of the old agent; the excessively exaggerated image of the villain; the naked teleportation in the snow The sniper was shot and hit the house naked again. Covering the back of the hand and spitting out the white foam operation; the prostitute said to the killer who helped her, "Are you earning all this money from murder? (Then take it...)" And the body was first buried with metal pieces and then broken. The knife, the honey juice that the blade was buried in the body and then the handcuffs was released forced an explanation. Coupled with classic commercial films: beauty, fuck, kill, shootout, abuse, redemption~. The most important thing is that this series of dog blood and the seriousness of the role of Uncle Mai have produced a very subtle chemical reaction. I feel that the seriousness of the role of Uncle Mai is like the audience who treats this movie as a serious commercial film, and the attitude of the crew is the attitude of the environment in the play towards Uncle Mai (audience)—a pure tease and playfulness. To talk a little bit, it can be said that the second villain ("artist") wearing gloves on the back of Uncle Mai (traffic and commercial film viewers) is also a metaphor. Hahaha. To be honest, the crew didn't even want to make a serious commercial film. The whole film is a mockery of traditional genres and sand sculpture audiences. When the director made this movie, he put together all the elements that the commercial audience liked, and then told you that there are many sand sculptures. The screenwriter just barely put the words "commercial film Saby" on the big screen. .
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