Doraemon's face appeared on the screen, and watching him and Nobita flying around in the sky wearing bamboo dragonflies, I recalled the familiar Doraemon theme song in my mind. Looking at the daughter sitting next to her, she suddenly felt emotional, life has just turned over like this, and she felt a little lost and had a lot, and then her eyes were a little hazy.
However, when Nobita came to the school and looked at Shizuka fascinatedly, the emotion disappeared immediately. Every time the robot cat took out a prop, the children were very interested; but too many scenes in the back were describing the love scene between Nobita and Shizuka, and the primary school student sitting behind me began to say, "I can't stand it anymore", "I want to go out." I went to the toilet "...Fortunately, my little sister is still in high spirits, but she just keeps asking me, "Where's Doraemon, you haven't come out yet."
The people who grew up with this play are probably in their thirties now, and many have families and children. Although going to the theater to watch this play is somewhat nostalgic, the cheap and sensational so-called teardrop tricks really make people feel awkward. Especially the relationship between Nobita and Shizuka is the main line, alas, it really ruins the integrity of childhood, and it is not suitable for the whole family to appreciate.
So after reading it, I have this question: If the target market is children, it should be more attractive with an adventure theme like Disney; but if it is aimed at middle-aged people, it should probably be more funny and absurd. Who is this kind of young literary film tune for?
I always feel that this movie is an obscenity creation by old otakus to entertain themselves. You can see it when you see Shizuka's skirt in the film and take a bath with Shizuka. Young otakus won't buy this account, they can't put them on the big screen in domestic cinemas if they are so excited; and old otakus, are there any old otakus in mainland China?
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