Let’s talk about the plot first. The beginning of the movie is basically copying the beginning of the first volume of the comics, giving the reason for Doraemon’s existence. The only difference is the addition of a purely sensational change where you have to go back to the future to complete the quest. Although Nobita in the previous work is also stupid, it is far from the annoying level in this one. His bravery and innocence are very endearing, and there is only stupidity left in this one. And the help that Doraemon gave him was not at all to reform but to abuse people, but even so, Nobita was still a waste. But such a waste still wants to be with the goddess. It's like a toad wants to eat swan meat. The most irritating thing is that this waste has succeeded by relying on Doraemon's plug-in without much self-improvement. I really don't want to. Talk about the value issue here. Maybe such a setting satisfies the lustful preferences of the people of the island country, and is similar to the setting of the wretched short men and goddesses in love action movies. As of the period before Doraemon had to return to the future, the screenwriter may have found the feeling of changing the work in other comics again, and fully exerted his ability to drag the plot, but don't forget that this is not a weekly anime series, but a movie. what! Of course, Nobita's stupidity also has a lot of credit. It was not until Doraemon left that it finally arrived at the core function of this movie - tearing. I spent most of the space introducing the friendship between Nobita and Doraemon, and finally it was useful. Although Nobita's annoying but cute Doraemon was leaving, the tears of the nostalgic party broke out. Given that many people think a good movie is a good movie to cry, this explains a lot of the high scores. The return of Doraemon in the back lit up the lamp of warmth, but unfortunately the way is really bloody.
As for the picture, this should be the first time in the Doraemon series to try full 3D. Obviously, the Japanese are not used to showing characters in this way, which is 108,000 miles worse than Hollywood. They still use the methods commonly used in 2D comics on 3D characters, such as eyeball changes, lips changes, some are barely acceptable, and some are not. The most unbearable is the retractable teeth, a mouth full of neat white teeth, and an old lady's gums will be smooth and pink. 3D characters have such a strange performance is really abrupt. The 3Dization of the environment and buildings is not bad, and the characters are not flattering.
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