Diaosi was finally able to get in touch with the goddess after struggling for many years, but she became impotence and premature ejaculation in the nervous excitement

When I watched the first batch of set photos of "The Race", I was so excited, and I was full of expectations with my colleagues in the company, just thinking that it would not be the Taiwan version of "Enlightenment". Still under the supervision of Woo Yusen, it can be said that he has no ambition and strength. Looking at China, the directors who have the courage to touch such a theme are Tian Zhuangzhuang (Blue Kite), Zhang Yimou (Alive), Jiang Wen (The Devil is Coming), and the rest is this one. In fact, it is very tangled, it is not that they have no talent, it is not that they have no courage, because everyone still has to survive. Entertainment will not die, there are flowers, applause, car beauty, heaven and earth. It will be regarded as a joke to engage in those too serious topics, literature and art? Art conscience? Don't get too far. Everyone just takes pictures of the eunuchs and slaves in the harem of the great emperors of the Three Kingdoms and the Three Kingdoms of the Pre-Qin Dynasty.
But on the other hand, I have always firmly believed that there is no epic in Taiwan. Like Hou Hsiao-hsien and Yang Dechang, they may barely have a touch of epic in their style, and I won't talk about the rest. Looking around the island, ancient and modern exchanges, epic is not one of their genes. So, I had to wait in anticipation. I never speculate on the Chinese with the worst intentions, but this time it was beyond my expectations. When driving a blockbuster, the director's weak skills are exposed. It can be said that almost every link except the starring has a lot of room for improvement. I thought of a perhaps inappropriate analogy: the director's failure this time is like a diaosi who can finally get in touch with the goddess after struggling for many years, but in the tense excitement, impotence and premature ejaculation. Strength is strength. If you look at Jiang Wen, you will know that the profound knowledge of the family is not just hype, but everyone can see it.
Moreover, not only on the island, but also in the Celestial Dynasty, there are not many directors who can control such a peerless beauty as Epic. One thing falls into another, without diamonds and porcelain, the word epic is like a stunning beauty, which can make the blood of those who hear it burst, unable to control themselves. But after thinking about it, not everyone has the ability to play, if you are not rich and handsome, and you can't afford maserati, you can't play the goddess of those diaosi. The Celestial Dynasty did not have this tradition either. The epics of the Celestial Dynasty are all in the frontier ethnic minorities. There are probably no "blockbusters" that can be called "epic" in China. Therefore, in the Celestial Dynasty, to make such epic war-themed movies is called being ignorant of current affairs, over-comprehensive, and not knowing the depth. But I am very pleased that although Director Wei did not meet the standard I expected in my opinion, but the popularity and achievements in the island, I think Director Wei can almost feel masturbation. Want to prove yourself in the outback? There is still a lack of confidence. In front of the epic of the frontier ethnic minorities, the "things during the Japanese occupation period" can only fool the Taiwan compatriots, Hong Kong and Macao compatriots and overseas Chinese who have not seen the big scene.

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