1. The rhythm is slow, and it is to fully express the cultural tradition of the Seediq ethnic group. Of course, there are many times in Xi's songs that have something to do with seediq's three views, the direction of war, and psychology.
2. The last uprising has been going on all the time, and the rhythm is suddenly accelerated. I don't understand the so-called "Hanako? First son?" The two brothers Jiro, one helping the Seediq family, and the other standing on the top of the wall, wrote "forced" in Japanese, which is a refined egoist's sense of sight. The reality is so.
3. When you are in Taiwan, when you tune into aboriginal Taiwan, you can hear Xi also in northern dialect--that is, Bai should be the first to listen to the aboriginal language, which may be the reason for "shengfan", so there are 200+ Han people in Taiwan. In the language of the year, there is no such thing as a Hokkien loanword.
4. In contrast, "Cape No. 7" does have a slight suspicion of beautifying colonialism. Taiwan needs instant films, so I added a ⭐.
5. The same Seediq tribe, but the Zhenji Society was separated, and they actually killed each other... China's infighting is really the first--
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