[He ran across the burning hunting ground, and his blood-stained scarlet shirt fluttered sternly. He shouted, Fight to the death, Seediq Bale!
Die proudly.
The men behind them had jet-black totems engraved on their faces. 】
There are always some people who are willing to guard some things with their lives, and there are always some things worth guarding with their lives.
The appearance of "Sedek Bale" has shaped an almost ideal world. Many people say that the heroism in the film has awakened their blood and expectations. And I think the valuable thing about "Sedek Bale" is that the war films are filled with humanistic thinking, about civilization, about the nation, and about life.
Such a scene is too far away from us, that is, the distance between different civilizations. Prying, but full of tears of faith, it is a fragment of civilization, and it is also our nostalgia for that beautiful and strange world.
1.
"If it is civilization that makes us bow down, then I will show you the pride of barbarism."
This is the issue of civilization he discusses.
In fact, the indigenous people who have almost disappeared are the masters of Taiwan, and the so-called Taiwanese today are just another form of colonization by the Han people. The Han Chinese are the invaders who forced them to abandon their traditional way of life on the island that originally had their own unique culture. The invaders implanted the concept of "country" into Taiwan, making it identify with modern civilization and generate a sense of loyalty to the country. This does not seem to be substantially different from the behavior of the Japanese.
Just as Americans are not the masters of the American continent, the country established by using European culture to destroy the native Indian civilization is actually a kind of colonization.
What is civilization?
Is it the post office, the hospital, the public toilet, or the chest wraps, petticoats, and complicated and gorgeous suits. Or high-rise buildings, strong ships and sharp guns, or telecommunications, networks, and electronic terminals.
You will defend the right to play ipad, even at the risk of death.
What's so savage.
In the film, the Seediks even kill the old and the weak without blinking an eye. Is that barbaric? The culture that their ancestors have inherited to this day is to defend their homeland and protect their ancestors. Any attackers must be removed. The bloodstains on their hands that cannot be washed away are their highest compliments to life. What they exchanged for their lives was the pride of a guardian.
This is a group of people with innate missions, as men, guarding the hunting grounds and fighting to the death. As a woman, sew bright red shirts and work hard. Because there is an eternal spiritual home, the Rainbow Bridge, there is no fear, and all is for the proud death.
When someone says to the boss, what do you get for so many young lives. The leader just said, proud.
In the film, an old man said that you can't fight the Japanese in the Japanese way, but like the wind. In fact, the same is true of culture. It is just a civilization that you do not understand, a belief that cannot be explained by your own culture.
I think people's attitudes towards another culture are basically explained in terms of their own understandable culture. That is, approaching an unfamiliar situation with all of one's own history. The vision of the so-called "other" is actually a visual expression of "cultural holders". Just like when we interpret a modernist painting, we use our existing feelings, that is, use familiarity to interpret strangeness.
The same is true of culture, because everyone carries the past, so he is a "guest" observer of a foreign culture. Looking down, looking up, imposing a will. You think you're explaining this weird and weird culture itself, but you're only explaining what you think about it. The two are very different.
Seediq is as unreasonable as cannibals in the eyes of modern civilization, but abandoning our sanctimonious moral values, they are not bloodthirsty to kill innocent people, they are just to protect the sacred ancestral home at all costs. . We cannot use our own three views to measure other people who do not agree with these standards. The spiritual pillar of Seediq is proud death in battle. If you tell them that murder is punished by God, and that backward civilization does not conform to the historical trend, you are denying them Meaning as a Seediq.
In the film, Ichiro begs Mona Rudao, we have endured for 20 years, can't we endure another 20 years?
The leader shouted that in twenty years the children will be all Japanese.
This sentence is like roaring to everyone. When everything becomes something that no longer makes you angry, you will no longer be you.
The second
most impressive supporting role is Hanaoka Ichiro, the most tangled character in the film and the most wonderfully portrayed. The leader called him "I never wanted to know about my descendants." He is a Seediq who agrees with Japanese culture, with Seediq's blood flowing, but he longs for a different civilization in his heart. However, no matter how hard you try to dress up, you can't change that face that is not recognized by civilization. Looking back, I found that I was too far away from the life of the clan, and I couldn't go back at all, so I was caught between two civilizations and was in a dilemma.
In the end, Ichiro and his family committed suicide, wearing a kimono and using Japanese-style incision. But he asked his brother in Seediq whether we were the descendants of the Emperor of Japan or the descendants of the Seediq ancestors. Erlang replied, cut your contradictory liver and intestines, don't go anywhere, and be a free wandering soul.
Ichiro replied in Japanese, thank you.
This is like the question of all the colonized. The question of identity, who I am, everything I believe in, my history and the future I aspire to, why are so contradictory.
The pursuit of identity is involved in Cape No. 7. A Japanese teacher in Taiwan. He lives an ordinary life in a village far away from disputes. He loves ordinary things, but he needs to bear the sins of the country and cannot meet the girl forever. He spent most of his life and all his concerns on this island, but because of his status as a citizen of the defeated country, he has no right to have everything in the past.
And this question becomes a major clue in Seediq Bale.
In many cases, such people will be involved, just like the peasants who go to the cities to work, the peasants who are most like urbanites, and the urbanites who are most like peasants. At the same time, they were disliked and rejected by both sides, so they became a group that was difficult to gain a sense of identity. On the one hand, he deliberately stayed away from the unpopular rural life and actively integrated himself into the rise and fall of the city. On the other hand, his homeland could not abandon him, and he had to bear his own identity and historical life. dilemma.
At this time, who they are and what kind of group they belong to, they all lack a strong sense of identity from their hearts.
It is also a kind of restraint of civilization.
Legend has it that the ancestors of Seediqbalai were born from a sacred tree that was half wood and half stone, which seems like a good metaphor. All civilizations have opposites, good and bad, acceptable and unacceptable. Trees are so strange that there is no need to assimilate them with a so-called advanced norm.
There is no difference between different fragments of this world. When can we approach unfamiliar civilizations without desire, then we can finally get the freedom to dance arbitrarily under the rainbow.
View more about Sai de ke · ba lai: Tai yang qi reviews