The plot is restrained, the acting/acting is restrained, and the lines are restrained. The "anytime" and a screenshot of the board when the two feudal police officers chatted in taekwondo are very powerful. The film is a film that was born in ordinary culture (no contempt for Wanwan), and it gradually shows that color exudes flavor. From an embarrassing 3 stars (3 stars for a few ambitious epic movies recently) to a solid 4 stars, I can see the strength of the movie once it comes out. It also swept away the disgust that came with the opening scene—a young new leader with a vengeance.
The conversation between the old boss and the vassal policeman by the stream was also very thorough and sharp.
The lazy leader and the late father wandered for a while. This restrained film energy reminded me of Mel Gibson's "Revelation" with a similar theme.
God, looking back, I wondered how the protagonist changed so quickly and so suddenly, it turned out to be the same person. The time jump is completely unnoticed, and it is intellectually difficult to accept - the shallow and restless young man has evolved into a sharp and thick old man without warning, where did this come from!
In other words - if you say a little bit without a line, in the eyes of the Japanese, this riot is a mob behavior. Let the neon immersion film it, and it will probably be filmed to the rhythm of "Black Hawk Down". Human beings, history is complicated, painful, and heavy.
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