As long as a person has been hurt, perhaps once or cumulatively, the self-protection mechanism will build a high defense barrier. But Matsuko still chooses to love and believe despite being hit hard again and again. This is what everyone thinks is great and scary.
I don’t know when this movie was filmed, but it has an old-fashioned style. There are some pictures and special effects that make me feel like watching Tiejia Xiaobao. The specially adjusted yellow-green makes people feel dazzling and has a dreamy beauty. The heroine is extremely beautiful and sexy. She is deviant to be someone else's mistress, a student's lover, and a prostitute, but it makes people feel that she is always innocent and clean, and it is precisely because of this sense of contradiction that this role is full of charm. This may also be the author's desire to highlight all experiences or darkness is insignificant in the face of goodness.
A woman who can only be so good is always being used and trampled on. Men of all shapes and sizes show her tyranny, greed, cowardice and possessiveness in front of her, making her gradually lonely and closed in the end, and finally hope is rekindled. Zhi Huo, but was beaten to death by random sticks for teaching the gangsters.
This is a tragedy that shreds the beauty, but after reading it, I don't feel much sadness. Perhaps it is because of the iron-clad little treasure-like fairy tale filter effect that dilutes the sadness, or perhaps the values of few people are as lacking as pine nuts. But this work is very good. Maybe it is like Hugo's way of presenting the contrast between beauty, ugliness, good and evil, which makes people feel that the heart is as fast and difficult as being smashed out of a pit and then flattened and smashed out of the pit. Take a breath.
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