The first rouwanxiaomian welcomes attention
Born to be human, sorry! The more popular this sentence is, the more famous this movie is.
Director Tetsu Nakajima directed an absurd comedy-colored "mourning" movie after "The Story of My Wife". The movie is full of hilarious singing and dancing. Whether it's Songzi's clothes or the scene layout, they are matched with high-saturation ternary colors, just like the small commodity market full of lanterns before the New Year. Unfortunately, this is a tragedy. There is no protagonist halo, the protagonist is dead at the beginning.
The content of the movie is like biting a balloon covered in sugar frosting in the mouth, and it exploded in the mouth with a "bang", and the explosion made the mouth hurt but nothing. Yes, it is this feeling of inexplicably empty space, which is the biggest feeling I have after watching the movie. At the end of 2006 and the beginning of 2007, this movie went viral on the campus network. Even if you are not in the film school, you can hear the young ladies from other departments get together to discuss the love of Matsuko, looking sad. The students of the film school are even more incredible. The ignorant teenagers born in drama and literature majors have all their literary cells on fire by this film. On the one hand, he laments the impermanence of life, on the other hand, he praises the invincibility of youth.
"Laughing innocently while seeing through everything." - Faye Wong, "Split".
At that time, half of the students in the college, especially the girls, changed their QQ signatures to "Born to be human, sorry!".
From "The Life of the Disgusted Matsuko" to "Disqualification in the World", Tetsuya Nakajima to Osamu Dazai. During the time when I was bewitched by this movie, it seemed that everyone died before their youth began, but at that time, the oldest student in the film school was only in his early 20s.
I have been used to pretending to be a royal sister since I was a child. At this time, I chose not to fit in as always. It's not because I think Yasujiro Ozu, Romai, or Cai Chusheng sound cooler than Tetsuya Nakajima, but because my fragile little mind and my mindless personality simply can't stand such a tragic story.
So at that time, I was still Xiao Tao, and I would rather chat with my classmates about the camera positions and lighting of Mr. Cang's works after class, rather than join in the discussion of the tragic fate of Matsuko. (The former has established my status as an old driver in the hearts of the juniors and seniors of the college. Whenever I explain that it is purely theoretical technical analysis, I will be greeted with meaningful smiles.)
Twelve years have passed, and when I suddenly encountered sadness in middle age that I couldn't resolve, I chose to use one kind of sadness instead of another kind of sadness. If I could have a good cry in the story of Matsuko, maybe the sullenness in my heart could be temporarily relieved, and I could deceive myself and say that this is the emotion of the movie and not my emotion, and I would be able to live with it.
At the end of the film, Matsuko died just like the beginning of the film. After the bloody and short life, he died suddenly and embarrassedly. KUSO! I didn't even cry? This kind of story of going to hope in despair, and falling into despair in hope has always been my death hole! The story line of being hurt again and again by scumbags, and being physically disabled by domestic violence must be my Achilles heel! I watched the whole film without any expression, and the tissue at hand didn't even have a crease.
Matsuko said: "When I was a child, everyone wanted their future to shine. But when I grew up, none of my dreams could become a reality. It was painful and humiliating, and in turn, I blamed others."
When a person reaches middle age, the first thing to face is to admit that he is mediocre and incompetent. This process is very painful, but life will make you numb before you can adapt. I think standing at 30 may have something to do with metaphysics. Friends around me, including myself, have experienced the first king bombing in my life after 30. I had an epiphany at that moment, and replaced my mantra: "Stand, we can win!" with "The downhill road of life is still long..." It was also after that moment, when I persuaded young people to cherish the moment, use The most common sentence is: "Accidents always come before the future." Tomorrow will only be worse than today, and the peace of this moment may be the luck that you can't ask for in the future.
Constantly falling in love and constantly being hurt, the director said that Matsuko actually wanted to die in her heart, but her body disagreed. So on that rainy night, Song Nuo jumped down and grabbed the railing in that instant. Years later, in the Korean drama "W Two Worlds", Lee Jong Suk also grabbed the railing of the bridge on a rainy night.
The director also said that the meaning of life is not what you get, but what you give. He felt that Matsuko was happy, and he never gave up hope in a desperate situation. Even if he was persecuted by a scumbag to become a prostitute, he had to squat seriously to train his sphincter muscles. Even in prison, he was full of life. Compared with a woman who is always waiting for the redemption of others, Matsuko firmly holds her destiny in her own hands. Perhaps this is what other film critics say "the world kisses me with pain, and I want to repay it with a song". Yes, pine nuts sing every moment that should be sad. In my opinion, the director is nothing more than trying to satisfy the audience's desire that every story has a happy ending. If Matsuko knew that the last thing waiting for her was loneliness, she would start, run, and speed up to that tragedy again and again. End point?
Someone's answer is: "Yes". Because he believed that real warriors dared to face the bleak life, and then turned up the volume of the BGM "I've thought about it for a hundred times". I respect you for being a man, and I envy that you still have youth to squander. If I'm cowardly, I won't accompany you.
I believe in fatalism, I am superstitious about karma, if I know that my rotten peach blossoms are destined to bloom until the sea and rocks rot, I will no longer expect my beloved.
Of course, there will also be different voices saying that to fight against fate, we must find a breakthrough in life.
Everyone in "No Name" is looking for a breakthrough in life and wants to change their way of life. Ma Xianyong wanted to become an assistant police officer by solving the case, Hu Guangsheng wanted to get ahead by robbery, Ma Jiaqi wanted to exchange his death for freedom, and Gao Ming wanted to go back to face the days when the creditors asked him to hide in Tibet. They are the kind of people who are often mentioned in chicken soup in the circle of friends. They are tired of their mediocre life, unwilling to be ordinary, and use all their strength to fight against the world. They may also give themselves silent encouragement in their hearts, and keep telling themselves: all you need is a little push. But is it good to just jump out? Jumping out of the comfort zone of the original life, did you go to a higher platform or fall to your death? If all the characters in it predict in advance that the future is just a more bleak present, will they still fight hard?
It's not that I haven't worked hard, it's not that I haven't worked hard, which growth along the way has no pain? It's not wrong to get lost in an adult fairy tale, but it's also important to realize that some things are powerless, the "wounds that can't be healed" by Osamu Dazai, and the "indescribable sadness" written by Yasunari Kawabata. The reason for the repeated defeats and battles is that every time I doubt myself "Am I not good enough?" Stop this meaningless self-doubt, it is not us that is bad, the world is bad.
Songzi keeps getting hurt and loves people constantly. This seemingly positive contribution is simply a meaningless self-depletion. It is better to reconcile with yourself than to fight against this bad world. Teacher Gan once told me that the relationship between the two should pay more attention to their own feelings. If the other party is an energy black hole, no matter how much care and love you put in, there will be no return. Once such a person appears, you should stop the loss in time.
It's a pity that the dead pine nuts don't understand this truth, and neither does Akane Lixiang 20 years ago.
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