Now, my worldview has followed the reflex arc back. Since I was unhappy, I should have been a little more extreme, but because I had some good conjectures about Mr. Nakajima, I decided to leave room for Samsung.
Leaving aside Nakajima's shooting intentions, let's talk about pine nuts. Looking at those short film reviews, full of praise for Matsuko, I really can't understand - are there so many masochists in the world? Or is Matsuko the perfect vision for a Mule in a sadist's heart?
First of all, what is the life of pine nuts? It is the life of a hungry woman who lacks love. Father, writer, writer 2, clients, gangster 1, hairdresser, gangster 2... Over and over again like a moth to a fire, the audience followed her over and over again with bruised eyes and bruises - and finally there was a little beauty ! This is a propaganda film for cultivating M.
Secondly, when I watched it, my head was hot, and I told my classmates that Matsuko really looked like a copy of Osamu Dazai-it was just playing until she was beaten by the writer. But later, that's not the case at all. Dazai Osamu's life was a life of constant self-examination and self-loathing, a "life full of shame". He struggled and struggled, he never identified himself, and he eventually died because of the fear of man and the fear of himself. He died because of a masochistic self-examination. Who would dare to say that he did not have all the evils he had recognized? Therefore, I understand him, and I am moved by him, and he has a real "innocent heart". And what about pine nuts? At first, she was sad because she couldn't get her father's love, and then she was all kinds of men——it seemed that she would really die of loneliness without anyone around. Hate her sister, thinking that it was her sister who made her father unable to care for her - why didn't she hate her father? [Chauvinism is on the rise] She is not aware of her own evil at all, and she is equally evil. She does her own way, loves others ardently without authorization, and asks the world to become her fairy tale world without authorization. What an ignorant and selfish heart!
Third, maybe because of my own reasons, I really have no way not to think about women's issues. Matsuko's life is a life of entanglement with a string of men. He hates his sister so much, but he is so selfless to those scumbags who can be kicked to death, what an interesting God. Forgiveness is unforgivable, has she done it? She was just begging for the alms of love, no matter how unsightly that love was. I have no way of knowing the process of Matsuko's education and growth, and I guess she was probably indoctrinated with the concept of various demands on women in a male-dominated society. Women are always hurt, and women who are hurt can't leave a man - leaving a man, a woman will take many times the risk of traveling alone. If there's anything to praise about Matsuko, it's that her lust for men comes entirely from a lust for love -- not just a quest for protection. However, the shallow thinking about love, the stupidity that women are made of, makes her happiness forever like a bubble.
------------------------The dividing line of the black belly conjectureヾ(●゜ⅴ゜)ﾉ------------ ---------
I watched this film entirely because of the director's "Confession". Compared to "Confession", this movie is really full of bugs for me. However, when I looked at the short comments on Matsuko's life, I suddenly thought, maybe I, we, have completely misunderstood the director.
He used such a splendid technique, innocent and clear OST, and comedy technique to tell the story of Matsuko's bad life for eight lifetimes. In fact, he was completely mocking! A mockery of a girl's feelings, a mockery of devotion to a man who thinks it is a devotion to love, a mockery of self-righteousness, a mockery of the attitude of the Virgin [the last sentence is a serious remark, I have realized it]... If this is the case, Tetsuya Nakajima, are you still Really coooooooooooooooooooooooool! [Dragon sauce face Xu Yuanxuan has a successor, clenching his fists.
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