However, although "The Promise" is a little bit dirty, a little rough, a little naive, at least it is entertaining the public. This film has been uncomfortable for several days, and I feel sick to my stomach, because the three views of this film are too incorrect. If it was during the Cultural Revolution, it would definitely be criticized as a poisonous weed.
She can't love a normal person well. A normal barber would have to kill someone before rolling together. After all, a sincere friend Sawamura Megumi also missed out because he chose a cheap man.
And her student, who destroyed the teacher, decided to make up for her apology, but she kept saying "don't leave me..."—the student's violence came up again, and she continued to abuse her.
Long Shenyi found out in prison that Song Nuo was God. How can people throw themselves out to such a degree?
Her kind-hearted, lazy, and lively nephew finally regarded her as God - this literary man also said: If God is as clumsy as Aunt Matsuko, I can accept it.
In the end, Matsuko stepped into heaven in the nephew's yy.
...
After watching this film, I believe what Yu Dafu said in the 1930s: China entered the modern world earlier than Japan.
The perversion and twisting in Japan are simply hopeless.
In the pre-modern era, people like Xianglinsao were everywhere in China. They were fooled and bullied. Lu Xun mourned their misfortune and angered them. Taizu said that where there is oppression, there should be resistance. This resistance is not just an earth-shaking and generous revolution; it is our inner progress: economic independence, personal independence; demarcate our own boundaries and others' boundaries, my freedom is limited to others, but others can't invade too much Trample my life. In the online world, a series of gossip about mother-in-law, family, and Phoenix men and women are also part of the inner education of Chinese people. As far as the meanings of the popular words "Baozi" and "Virgin Mary" in the world are concerned, we know that the Chinese are making continuous progress.
Forgive me for being politically incorrect, but I really feel, understandable, and sympathetic, but there is nothing more shameless and terrifying than praising pine nuts. This kind of thing, the vast majority of Chinese people can't do it, the Japanese can absolutely do it. Their logic of "co-prosperity in Greater East Asia" back then was just as crooked, shameless and insidious as praising pine nuts. While tyrannical and guilty, they are hopeless and shameless. They can only do the things of Acura's victims, so as to entice and deceive more weak people.
I don't like this movie very much, and I don't want everyone to like it easily, especially the girls. Beauty is a beautiful spiritual poisonous weed: it will numb and lure weak people and turn people into sheep, but it really caters to this cruel jungle world.
All those who worry and panic that they will be like pine nuts: at the moment of choice in life, reducing the number of self-abuses can reduce the number of self-abuses. real. Don't always hold the idea of saving someone - you just want to be saved, you just long for love so much, don't easily project this longing on others, and love yourself well. You can only love others if you love yourself.
No matter how hard or difficult it is, people must have a sense of spirit. Besides, as long as you live, you can die soon after hearing about it. There is always the possibility of growth. Don't believe in any explanation that psychology can be traced back to the mother's womb. As long as you are truly brave, you should create your own happiness. Some can, some can't. Why praise the incompetent? Matsuko lives in bed all year round, doing nothing; her nephew has also been living in a garbage dump-like environment, just because they are disappointed in life, what a weak person! Matsuko's cup was when she finally decided to stand up and try a new life. She was beaten to death by wandering middle school students. (—The Japanese men in this film, including the little boys, are so tyrannical and terrifying...)
Again, the director and the screenwriter are unforgivable, people should not be easily sent to the gods, especially people like Matsuko. Headaches appear to be brave but are actually reckless and self-willed to suffer...
ps: Listening to "The Internationale" can detoxify. :)
Or take a look at Xu Fan in "Tangshan Earthquake", even if you are in the ruins of your heart, you can live a little bit and live a little more.
Or, let's miss Matsuko's compatriot Ashin. To live, always believe; but keep your eyes open, and do not believe blindly.
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