In fact, she is none. But at every stage, I see her with a completely different face. A young and passionate female teacher who fell in love with a woman who was desperate for love, a mistress who thought she was loved to rekindle hope for the world, a bathroom girl who struggled for material but ended up in prison (during this period, she dreamed of becoming a settled family Housewife), a female prisoner who doesn't know the so-called walking dead, a hair stylist who lives anew but lonely, a bloated old woman who abandons herself after being abandoned by a man for the love of a woman who isn't even afraid of going to hell. Every identity is enough to attract disgust, but she has never disliked this world.
Tears were shed several times. I read a sentence a few days ago. The author said that the criterion for judging a movie is based on the number of tears. I think too highly of myself, I always thought that the movies that can move me are good movies. The first time was when she returned home for the first time after she left home and read her father's diary. It turned out that the last sentence her father wrote every day on the day she left was "Matsuko still has no news"; at the same time, the younger sister walked out of the room after hearing the movement Come out, it's really my sister. The second time was when the younger brother told her that his sister had passed away and the last words were, sister, welcome home. The third time was when she took the stairs to heaven, and the end was the healthy sister who said to her with a gentle smile, welcome back. And she was finally able to say "I'm back" with no more empty echoes.
Good people do go to heaven.
A little resentment, why is the tears still in the family today? If there is no accident, from now on I will call my tears "home".
Halfway through the movie, I thought of "Lan Ben's Wedding Dress" in the seventh year of the year, and "Alive" by Mr. Yu Hua. Of course, the depth and intensity of the movie and the former are far less than "Alive", but for the current self, some basic things are the same. It's not that Matsuko has never thought of suicide in the movie, but the body's survival instinct blocks such thoughts. Zhiqiu fought with his life with a down-and-out belief all his life. As for wealth, has he never thought of anything contrary to "being alive"? It should be said by my mother that people do not want to die, but to live.
Matsuko and Zhiqiu have spent their whole lives loving, believing, and forgiving what is wrong in this world.
"God is love. Please tell me what this means."
"Can you pray for someone who hates? God can. He can turn love into hate."
Back to the actor. I know that eita's acting has always been infectious. KOH is my favorite actress, I have no position to say anything. The younger sister Ichikawa is the sweet spot, and the model worker uncle is the bright spot (especially those white and shining teeth). The father and the younger brother look alike, so the father and son were chosen. I was really frightened by Iseya Yusuke and Gong Jiu. The former only talked to Nan about the movie version of [Honey and Clover] by the way. The latter really didn't see it, ma, I am not familiar with Gong Jiu. Miss Anna showed her face, and Kimura kaela stood out.
Matsuko's good friend said to Sheng, "Your aunt who swore that 'hell will follow him' is very beautiful." Matsuko's man hugged her tightly after hearing Matsuko's confession without hesitation.
"Aunt Matsuko is God, so Long said. She was so clumsy and unfortunate until the end. And Aaron said she was God. I don't know anything about God, and I don't think about it. But if this There is a God in the world, like an aunt, who makes people laugh, cheers, loves others, but is always scarred, so lonely, not good at dressing up at all, so stupid. If God is like my aunt, then I will , believe in him."
Not only you, but even I miss the Aries who gave you the whole world once you fell in love, even if you didn't want to force it on you.
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