Although a good film and a good-looking are two different things, this movie is neither good nor good. I don't dislike Japanese exaggeration, that kind of feeling that everyone has a nervous side, and it will be extraordinarily good when used well. Here, what is disgusting is the flattery of the spiritual core, saying that I want to live desperately, but in fact, isn't it relying on men all the time?
The last driving force in life before becoming a fat man was fan idol, and I was really drunk.
First of all, make it clear that there are so many ways to survive in this world, why is she the only one who has pushed herself to that point?
A person who is completely independent in personality, what if he has enthusiasm? Feeling guilty about being a burden to others?
——Having too much enthusiasm without sufficient judgment will only increase the burden on others.
Back to the point of being "needed".
Needs are also divided into five levels, you can indeed give others something, but on a stupid basis, they are not enough to offset the burden you bring. Don't say what everyone learned from her in the end. Movies are instructive, and memories are glorified, because the person left the scene before he caused a huge trauma in your life, and you remember the good side.
There are very few people with good intentions. People first care about harming themselves, and then they think about what I can do.
It is not surprising that pine nuts are mercilessly "abandoned" after being "used".
I don't think Matsuko's tragedy is how bad people and unfortunate things she encounters.
First of all, nothing is accidental. Her character is like that. She will come back tomorrow if she is not unlucky today. To a large extent, she has asked for it from the beginning.
Secondly, even if she didn't have the chance to die, her whole life has passed so mediocrely, she doesn't get the attention of her father, she has no status in the family, there is no splendid love, and there is nothing worth remembering. There is no ego.
Still a tragedy.
From this point of view, the entry point of the movie is very good, and it magnifies all the misfortunes like nightmares, basically reaching the extreme that her character can do.
"Don't you want me?"
Every major change in life in the early stage was born from this sentence.
Relying on every man around him like grabbing a life-saving straw, worshipping each other as a god without even a score, saying something like "as long as you have a company, not a person", such a person is really a little self-aware None.
Not only Matsuko, women in the whole work are like appendages of patriarchy. I am not a feminist, and I have never advocated biological equality. The law of nature is the law of the weak, and you deserve to be bullied by others.
What annoys me is the author's complimenting attitude. Matsuko completely succumbed to her state of existence at every stage, she would ask "what did I do wrong", but never questioned why the world treated her like this.
You must rely on others to live. All satisfaction comes from the feedback of other people's behavior, just like the line that has been repeated over and over again, "The meaning of life is not what you get, but what you give for others."
This is a stealing concept.
The meaning of life and the source of happiness should be the value created by oneself and the self-satisfaction in the process, not the so-called feedback of others.
Whether it's a woman or a slave, in the process of "waiting for feedback from others", you subconsciously put yourself into a hierarchy -
you are serving others. You are only meaningful if others think you are meaningful.
Ha ha.
Saying "Love is life", but actually has no self-awareness at all, pinning all the hopes of life on a single event is still wishful thinking, self-righteous, and unfounded love.
Love is selfish.
We fall in love with love because it gives us self-gratification, both a desire to give and a desire to possess. Anything you think is the greatest happiness as long as you give, is not true love at all. Matsuko never understood that all she needed was to be dominated.
Later, it was emphasized again that "as long as it is not alone". Long Yang looked at her highly, even if there is a god in this world. Not so stupid.
Matsuko used to be a teacher. She should have read a lot of books, so why is she so sad?
Of course family reasons. Of course it is a failure of education. However, the filmmakers don't pay attention to this at all, but instead focus on emphasizing (and praising) Matsuko's acceptance of reality and trying to find his place in this distorted living environment - it doesn't matter to be a gangster's lover so that the dragon can give up everything.
Sinister.
"As long as it's a woman, no matter who it is, everyone yearns for the cute Snow White in fairy tales." Anyone who
can write such lines is either carrying private goods or really living in fairy tales.
The only successful person in the film is an AV actress. Hahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahahaha.
Said to be moved, how naive you have a longing for life.
In the end, although I also agree that human nature is inherently evil, this approach at the end is too ridiculous.
You know that even if she starts a new life, it's not going to end in kindness, right? It is undoubtedly the easiest way to put the responsibility on passers-by. Anyway, there are still a lot of small fresh and spontaneous reading comprehension.
The biggest education this film has given me is that I knew it a long time ago, but I didn’t act:
If you are stupid, you should read more, otherwise you might as well just die.
View more about Kiraware Matsuko no isshô reviews
