Not my big man, but I do dread watching so-called feminist movies. I didn't really expect much before watching this movie, but I didn't expect it to be a surprise. . .
The plot of the story is actually very old-fashioned: the two sisters with good feelings separated since they were young and embarked on a completely different life path. Because of the oppression of countless stinky men, they lived unhappily and could not meet each other. The last one died with hatred. Its granddaughter was found by another person, and the end was moved. The structure is also not necessarily novel: one of the two sisters is idealistic and runs away, while the other accepts the reality and obeys. Using contrast to create dramatic effects, it is also telling the audience that even if women choose to rebel or obey, the results will be tragic.
Despite its "earth", this story made me read with gusto, possibly for two reasons. 1. The characters are distinct and real. The personality of each character in the story is typical, so typical that it can be summed up in one word. And no matter what country or era you live in, you will meet these characters or the typical representatives of these characters, such as the strict father who loves face, the brothers and sisters who always want to run away from home. So looking close, there will always be some projection. In fact, the main body of this kind of story is the characters. As long as the characters are vivid and vivid, even if the story is not fancy, it will look good without flashbacks, interludes, or mysteries. It seems that the Romance of the Three Kingdoms Water Margin is supported by a bunch of carefully depicted characters.
Another good-looking reason is the handling of images. The composition and colors of the photography are all thoughtful and beautiful. Although the camera saw the old and dirty Brazil in the 1950s, it turned out to be so beautiful and so tangible, and the skill is really extraordinary.
That's it, I watched the first feminist movie that made me comfortable. There were accusations, but they didn't make me and other male audiences feel like sitting on a needle blanket. But the most important thing is that the director tells a good story honestly and attentively, which is already good.
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