The most outstanding thing about Korean movies is the plot and photography. This is the same, with all the camera angles just right. Similar long-shot Chinese-language films have rarely appeared, but Korean films have matured and are very exciting. For example: the director of the action scene on the line of Shadow Killing used a blurred method to shoot, the lens is very strange (because I don't know how to do it), in an alley full of wires, a long shot is shot from near to far and from multiple angles, while Shaking means that this is a handheld camera, but how to achieve the effect of the boom being near and far (or the boom is deliberately swinging to imitate the hand-held tracking?) without being disturbed by the wires, just the hardware condition of photography has left the port. A few streets.
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