The core of comedy is tragedy. The film also uses sad/joy, illusion/reality alternately. For example, a lot of sensational designs were made in response to Ming Yu's two murders and Tong Zhen's two jumping off the building. Whether it is under the intoxicating piano music, the close-up of the beautiful woman with the 360 degree rotating lens, and the blowing of the wind (symbol of love), the story of a life and death love is quite touching. However, after the sensational, some funny and thrilling scenes are added to soothe the audience's emotions. It can be said that Guo Zairong is very careful in controlling the audience's emotional calculation. However, there is a sensational scene that obviously missed. When Mingyu's ghost sees Tong Zhen again, it can be said to be the Korean version of "Star Wish", but due to the delay of time, the sensationalism is no longer, and it becomes strong. tears. The movie shows the omnipresence of love in the words of Mingyu: "In the future, after I die, I will change my style to always be by your side". In fact, the idea of using the wind to manage the hero's love is always around is quite good, and a series of windmills, wind chimes, and wind-blown paper planes have become tokens of love, witnessing the idea of love that people are dead. Zhang Hyuk's performance is not as good as Cha Tae-hyun, the hero of "My Sassy Girl", because his appearance is too heroic, not as good as Cha Tae-hyun's arrogant look, and his facial expressions are not diverse enough. Jun Zhixian's performance can be said to be competent, and the part of love and cruelty is average, but in the shooting battle of chasing the murderer, he showed heroic femininity. What deserves praise is the layout at the end. In fact, it is still a repetition of the destined motif of "My Sassy Girl", but the victory is that it plays very well and makes the audience burst into laughter, which can be said to be quite effective.
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