The story of the next wife. In a place in a prefecture in Japan called the next wife. There lived a girl who moved in, named Peaches. Peach thought she was cold-hearted when she was a child. Parents divorced, father's despair, can not feel completely. (Perhaps both parents are bastards and didn't spend time and energy building an intimate relationship with their daughter) Peaches followed her failed father, and her mother came to persuade her to follow her to a new family. Peaches rejected her mother. He actually told his mother that "to face great happiness, it is more necessary to have courage than suffering". Persuade her mother to summon the courage to pursue happiness? When Taozi was faced with the choice of happiness, she began to hesitate and tangle, and no longer separated herself from the world like before. I remember the most touching dialogue Taozi: You all know that Concubine Meigu does not exist, then you have to find the legendary embroidery house. Miko: It's not because you don't have any sense of existence... They looked at each other and smiled... (What the Miko didn't say in my mind - I think you are always alone, living alone, in a world outside everyone. So, I make up a story, set a goal, I hope you can find a sense of existence, value.) Does Peaches really like rococo style dresses? I feel like the heroine is a lonely girl. No close people, no intimacy. He has always been outside the real society and immersed in his own fantasy world. In the pictures that often appear in the movie, Peach feels that she is flying into the air, the car and the house are getting smaller, and she is going to a beautiful world. (Is this beautiful world heaven? Did Momoko have any thoughts of suicide at that time?) The shrine maiden rushed into Momoko's life. Rather than liking Rococo costumes, I like being immersed in a world that I have made up for myself. The role of the witch? Miko is a good girl in the eyes of her parents, and the object of being bullied at school. An impressive movie scene, the witch is also a strawberry. She was splashed with water in the bathroom, and her eyes were full of tears and she was still laughing. The eldest sister said to the witch on the road: crying and laughing, it's really ugly. The girl left her tears in a place where no one was around. The more tears she shed, the stronger she was in front of others. Because of the warmth brought by the eldest sister, the witch joined the girl group and participated in the drag racing. (But I feel that the shrine maiden evolved from an obedient child to a female Taimei. She is still vulgar on the face, but she is slender and sensitive in her heart.) The shrine maiden sees the loneliness of the peach from the peach. Life is meaningless. Seeing Peaches morbidly find beauty and survival value in a set of Rococo dresses. The witch chooses to fabricate a legendary embroidered house, prompting Momo to step out of her own world, accept her friends, and open her heart to this world. Work vs friends? Yoshibu, the designer of baby dress house Taozi said: Because of my love for Rococo dresses, I chose to work, and for the sake of work, I gave up many invitations to my friends. Over time, one day I suddenly found that there was no one around me who could open my heart. Bless you, I suggest you go to your friends.
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