Rococo, Lolita control, Maid control, "Purwedi Liu" beast, female bewitching boy, Strawberry, Miko, cheap wife, Tokyo, JUSCO... The elements of great contrast are mixed together, the director wants to What we discuss is not the living conditions of people guided by different outlooks on life, but the possibility of infiltrating the world under the same outlook on life, restraint, anti-restraint, and indulgent restraint. The film is always looking for a strong and independent self. This "self" is not used to distinguish between people and people, but to distinguish between people and me, and who I am and who I am in the human species. Peaches and Miko find themselves in different ways. From chaos to sobriety, the tone of the environment they choose for themselves has not changed, but the so-called growth is that they can already recognize their hearts under the same environment, and their actions are just perjury of existence. We can also define ourselves in this way in real life, and think carefully about "Am I here?" "Where am I?" "What do I want?".
On the other hand, searching for oneself is also searching for self-worth, which is also the focus of the film's discussion. Peach's talent for rococo art, the witch's natural beauty and inadvertently displayed writing, father's repeated failures and continuous efforts... The value is not the size, no matter how small the value will make a person's life meaningful. Plus, friendship is a magical thing, it saves people in distress and takes care to preserve the life you choose.
It's a comedy after all, and the discussion of everything is just a serious joke in disguise. The dialogue of the plot is easy and beautiful, and the outbreak of small conflicts will also mobilize your nerve cells in a friendly way. It's fun. . I really like what the first grade Peaches said to my mother - people suddenly become very timid when faced with great happiness, and it takes more courage to seize happiness than to endure crying - it's like this.
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