Gorgeous, extravagant, coquettish, weak, frivolous, comfortable, romantic, willing to restrain the body for the beauty of the appearance, willing to indulge in the dreamy water to play, no matter how unreasonable the way of life, as long as you are in a good mood and feel happy, Taozi's yearning and pursuit of Rococo reflects the psychological characteristics of adolescent girls, and has a certain universality and representation. In her opinion, Rococo's spirit contains the information that the weaker the girl is, the more valuable it is. "Compared to being protected by others, they feel that they are more suitable for protecting others. The most disgusting women, who have experienced ups and downs to accumulate life experience, etc. Worst", of course, without considering any livelihood issues at all. On the surface, they are extremely rebellious, unrestrained, independent, and go their own way. Compared with cheap, vulgar, step-by-step, and step-by-step people, they don’t know how otherworldly they are. In fact, they seriously lack the sense of self-existence, identity and security. That is, decadence is just a way of escaping reality. Maybe Peaches thinks she is beautiful and happy, but wrapped in a fluffy lace and frilled dress, living in a world where no one intervenes, immersed in unrealistic fantasy, how is it different from the walking dead?
"Humans are solitary animals. They are born, think, and die alone. If you say anything, you can't survive by yourself. You can be a human being, or a dog. There are many. Friends, lovers, parents, children, no matter what, to me, the titles are the same as president, section chief, section chief, person in charge, administrator, and other than that, it means nothing." Momoko said. "It doesn't matter" and "meaningless" are synonymous with selfishness, but such indifferent remarks come from the mouth of an underage girl, like the common sense of eating when you are hungry and sleeping when you are sleepy, and I don't think there is any problem at all. , that's really a problem, as the stunned woman said "she's pathetic".
Adolescence is in the stage of developing from the budding state of self-awareness to socialization. Under normal circumstances, adolescent children are willing to make friends, like to share, and try to have fun in group activities. Gradually form a habit of living in isolation, and become an alternative in the eyes of the people around you. From another perspective, this can also be seen as a sign of self-consciousness awakening, growing but not yet mature. Overemphasizes the publicity and distinctiveness of individuality, thinks that he has maturity beyond his age and the wisdom to see through the world, assumes a lofty and proud attitude of "everyone is drunk and I am alone", stubborn, maverick, and at the same time negatively She thinks that no one can really understand her, and has an inexplicable sense of rejection and distrust of others. Therefore, she is neither willing to contact the society, not curious or interested in other people and things, nor caring about how others view her. Don't listen to things outside the window and only love Rococo, which is actually the result of adopting self-protection and defense mechanisms. Pursuing the so-called "borrowed things and not returning them" is also one of the typical manifestations: you do not ask to return the things you borrowed, because your most important things will never be lent to others, and only the insignificant things can be lent to others. . The implication is that you don’t expect to get anything from others, and you don’t really give anything to others, so you refuse to share and take responsibility, refuse to love and care, refuse to consciously build and maintain relationships, and don’t feel lonely without friends.
Peach is an egocentric loner with an empty soul that no empty theory can comfort. When the owner of the dress shop, whom she regarded as a "god", saw her craftsmanship and asked her to help, she was confused, hesitant, and completely overwhelmed. She suddenly couldn't be sure whether the happiness she had thought for a long time was really true. is happiness. "When people face great happiness, they suddenly become very timid. It takes more courage to seize happiness than to endure pain." Finally, one day, these words of encouragement to her mother worked on Taozi herself. After re-examining the meaning of "happiness", we find that happiness is closely related to the realization of self-worth and the exploration of the meaning of life, and the realization of self-worth and the exploration of the meaning of life are inseparable from people's social roles and interpersonal relationships. People are people of society and people of the group. On the one hand, Taozi found a source of happiness that not only satisfied her interest but also gave full play to her talents through designing foreign clothes, creating a sense of achievement and constantly improving her self-worth. They have gained a precious friendship that is more valuable than foreign clothes, which can be heart-to-heart, candid, mutual help, and common advancement and retreat. They have formed a positive world outlook, outlook on life, and values, and have been freed from the so-called rococo spirit. .
It was the Miko who played a decisive role in the 180-degree transformation of the peach. Miko appreciates Momoko's personality of sticking to her own rules, not relying on others and not being shaken by others' opinions. This is the courage she lacks. At the same time, she also penetrates the problem of Momoko, so she breaks through in a simple and rude way. Entering Taozi's world depends on him, first he told her his story endlessly, and dragged her to play games in the marble machine room again and again. Although Momoko felt inconceivable and helpless about the witch's stalking, she gradually opened up her closed heart without knowing it. First of all, she began to observe what kind of person the witch was, and it was interesting to expose the secret of the witch's name. The fact that she fell in love, she even gave her money; then she took her to Daikan Mountain inexplicably, and helped her find the legendary embroidery house on a whim; when the witch gave up looking for the embroidery house, she took the initiative to ask Ying to embroider her special attack uniform, She fulfilled her wish without eating or sleeping. Looking at the surprised and excited face of the shrine maiden, she actually had the urge to cry. Later, when she was worried about whether to wear western clothes or make western clothes for happiness, she eagerly wanted to see the shrine maiden talking to her. Confession, eager to get her advice and encouragement; finally, she finally admits that the witch is her friend, in order to save the witch, she can be scolded by the owner of the clothing store for disbelief, can ride a motorcycle for the first time regardless of safety, and can snatch baseball. Waving the stick randomly, in front of a group of violent and bewildering women, he calmly told a big lie.
One likes Rococo, elegant in words and deeds, has keen perception, sharp insight, deep judgment, good at embroidery, lying and playing pinball machines, the other likes riding motorcycles, rude in words and deeds, simple in mind, except for fighting and running wild. I don't know anything, and I can't even see the typos on the special attack uniform. Peaches and witches have completely different personalities, preferences, IQs and cultural levels. The establishment and consolidation of any relationship requires a gradual process, and this contrasting collision is more like a gorgeous adventure. When the two sat on the locomotive and laughed heartily at each other, they understood each other's feelings. Importance, and all the previous stories will be memories that each other cherishes for a lifetime. More importantly, a good friend who is worth making will also be a good teacher. At the end of the story, the indifferent peach learns to be social and down-to-earth, the cowardly witch learns to be independent and brave, and they all find the meaning of life and The connotation of happiness is to clarify what you really want, and to strengthen your beliefs, persistent pursuit, hard work, and self-reliance, so as to live a more real, vivid and wonderful self.
Compared with "Matsuko", this is really a relaxed, plain, beautiful, and warm little fresh story, but the characters of the peach and the witch are not inferior to Matsuko. In terms of actors, even in front of the first-class acting Miki Nakatani, Fukada Kyoko. And Tsuchiya Anna also performed well, quite interesting, left a deep impression on me. The last time I saw Kyoko Fukada was in "Detective Galileo", and the image was a bit blurry. I just remembered that it was more feminine and careful than in "God, please give me more time", but in this film it is With a youthful and invincible appearance, coupled with the unfamiliar Lolita dress, it was really hard to like her at first. However, as the plot unfolds and the character unfolds, she simultaneously interprets two diametrically opposite faces of dullness and eccentricity, which gradually made me accept it until the climax of the fight, from shouting "You think I'm easy to bully. What!" At the beginning, there was a fierceness and power in her eyes, which made me believe that she has the potential to continue to explore various types of roles. More striking, though, is Anna, most of the time her mixed-race beauty is overshadowed by horrific makeup, furry clothing, rude demeanor, wild voice, and vulgar tone, only in reminiscences and advertisements I was able to see it. The stylist's credit is great, but the bold and subversive performance is even more commendable (even if it is exaggerated at times), and the bridge section of riding a motorcycle and taking off the special attack uniform in the rain and handing it to Taozi , the rock and roll temperament in its bones is fully revealed, it is simply cool.
ps:
1. Ryoko Shinohara's charm is beyond the glasses. The 10-year-old Mayuko Fukuda is always calm and sharp beyond her age.
2. Johann Strauss' waltz ms is not Rococo style. . .
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