The same is true for "Avelle and the Fictional World," written by French cartoonist Jacques Tardi, through a poignant dystopian adventure, directed by Christian Danmills. Desmares and Franck Ekinci explored the possibilities of extreme environmentalism for the future state of human existence.
"Aviel and the Fictional World" boldly and even controversially rewrites history and changes the layout of the entire Europe. Under the strong pressure of the dictatorship, the scientific level of Europe and even the whole world has been artificially blocked, and people's living environment has become more and more bad. This is in stark contrast to contemporary Europe, which advocates humanism and liberalism. And it is in such a bold "microscopic world" that Avril's adventures with his family and friends are even more meaningful.
Even in cartoons, the French don't skimp on their love of art and philosophy. "Avelle and the Fictional World" restores the style of Jacques Tardi's original works to the greatest extent. Those whimsical steam industrial designs are full of "the inspiration of Verdun and Hayao Miyazaki", and there is no lack of French style. humor and self-deprecation.
Compared with live-action movies, cartoons always have more space and less constraints. While it makes people laugh and laugh, it also keeps us from crying or thinking: Is the way people treat the world they live in a legitimate and embarrassing behavior? Even more, is it suitable for only one religious act and political consciousness?
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