From Feng Junhao's first feature film debut, we can see his observation and expression of social issues as always. The contrast between the fast-paced piano score and the overall downward emotional tone of the film creates some dark humor in the film, such as Bae Doo-na chasing Lee Sung-jae in the corridor of the building. The jumping scene changes and the editing of slow and high-speed photography in this passage are also one of the ways the film creates dark humor. Although some of the film's scene language is very effective and relatively new to express the film's theme, many of the screenplay skills are not advanced.
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