It's hard to imagine that this movie has been marked by me for a year and a half, for what reason, and what to expect, I can't remember.
I only know that I clicked this film for the purpose of venting and watching a comedy, but the final impression was actually heavier, because the name is not true, which is a comedy, the pressure and obstacles in reality are intertwined , full of pressure and helplessness, and even a little depressing.
Speaking of which, I have always liked Pei Doona quite a bit, but there have been a lot of attacks on her facial paralysis and narrow play in the past few years. After watching this film, I realized that Pei Douna 20 years ago was still so young, and the young Pei Douna is also in reality. There is a little spiritual energy revealed in the middle, this kind of feeling is rare, she is very naive - but it is by no means natural, but her own active choice. It was as if she forgave her even after finding out that the male protagonist was the one who threw the dog.
Further, the portrayal of the male protagonist in this film is undoubtedly much more vivid. His troubles at work, the conflicts between him and his wife at home, and the catharsis he chooses when facing cats, cats and dogs. Due to the collapse and sensitivity of the attack, he gradually understood his wife and ran out to find the dog. Later, after meeting Pei Douna, he gradually reconciled. What I saw was the reconciliation road of a social animal. He finally digested the pressure and reached a reconciliation. .
What is a higher-level animal, that is, you have to face each other's pressure and reconcile them.
In the end, Pei Douna finally started walking, which she liked, and the male protagonist finally became a professor. There is no good or bad, at least this direction seems to be the right direction.
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