Ghana also has such a dominant face. With this face, he gets extra tolerance, care, and of course everyone's attention with no effort and
no one is not fascinated by him, describing the wretched Yuzawa, the ardent Tashiro, those who say "no good" People like Kondo and Hijikata seem to be faintly attracted to him. There is also Yamazaki. It can be seen that Garner deliberately seduces Yamazaki. When Garner's hand touched him, although Yamazaki said "no, no" again and again, it is not difficult to guess from his panic that he must have Also moved.
Garner was dealing with it, but he was just indifferent, he was used to being tempted by him without exception.
The scene with Yunyu Yuzawa looks exactly like Yuzawa's desire to vent alone. Garner below him looked indifferent, but seemed to be above everything. On the surface, Ghana seems to be a tool for these men to vent their desires, but in fact these men are the playthings of Ghana's whim. Tragic like Yuzawa, Garner probably killed him just because he was in the mood to throw away the boring toys.
He is very good at disguising innocence
to Tashiro's "Is it a cry for help?"
to Yamazaki's "Let's go to the garden together",
"Actually I like you"
and to Yuzawa's soft smile under the umbrella.
He proves his charm time and time again, but when his magic fails, does he also despair of the so-called "love"? I guess he must have seduced Okita so deliberately, and it is conceivable that all his little tricks must have been ineffective in Okita, so he thought he had met "true love",
maybe it was because of Okita's unmoved, that's why he got the coveted Ghana's love.
Of course, this "love" may be just out of the despicable "what you can't get is the best" in human nature
But is Okita really not interested in Ghana at all? I don't think so. In the end, when confronted with the question of "The Covenant of Chrysanthemum", "If you are not masculine, why do you want to read that kind of book, and why do you have such thoughts after reading it?",
Okita vigorously denied:
"I don't I know why, but I hate them. Both of them are terribly disgusting. Seeing them makes me nauseous. Hearing their voices makes me vomit."
Doesn't that seem like admitting that he, too, has fallen into Garner's temptation? But maybe he restrained himself and did not give Ghana any response due to his identity and his own preconceived notions.
In this way, there is no one around Garner who is not moved by him.
I remembered that Mu Xin had an interesting point about beauty. He said:
Beauty is an expression.
Other expressions await responses, such as sadness for pity, majesty for convincing, funny for laughter. Beauty is inactive and purposeless, so that people are involuntarily attracted without any specific response obligations, but are actually moved.
In fact, the expression of beauty means love.
This meaning is both implicit and candid at any time.
People who have beauty don't mean that, but beauty means that.
Garner easily captured everyone's love with his "love" face. When hundreds of people are fascinated by you, you are afraid that you have to worry all day long about whether there is a real person.
That's why some people say "people who are too beautiful are not worthy of love".
I remember a saying in the Korean movie "Beauty": "Beauty is a destiny".
Just like in "The Promise", the fate brought by the beauty of Princess Allure, played by Cecilia Cheung, is to lose the qualification to be loved, even if you get it, you will lose it soon. The price seems reasonable.
A person with such beauty is more worried about the aging of his face than anyone else.
But just as Garner was eventually killed by Okita, who looked as gentle as water, it
doesn't matter
King Zhou said to Daji, "We will all die before we grow old."
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