Sometimes you pour tea, sometimes I pour water

Felipe 2022-03-19 09:01:09

Making a movie is like building a house—built and demolished, demolished and built—Abbas is a master of post-structuralism. Few people, like him, can make movies as real as life. After watching "Lover under the Olive Tree", I actually cried like a child. When the heroine got up and picked up the pot of flowers that survived the earthquake, I couldn't help but remind me of my mother: when she was a child, the house at home collapsed suddenly. There is no road in the world-the survivors probably have an amazing optimism about life: whenever I go to a place with her, she can always find a shortcut among many roads. She always does not force me to take that path, and sometimes I choose to follow her, and sometimes I choose to stay where I am-watching her while walking my own way. Movies are the art of "24 frames per second", just like life-living to death. Abbas’s lens is our eyes, and our eyes are our way out. This kind of consistency can be felt in his unpretentious, concise and precise film art-watching a movie with your heart, you will be more tolerant than watching a movie with your brain.

Lura 2022-04-24 07:01:23

The trilogy is nested in layers, it is best to read it together. Although these films seem to be realistic, but in the film the director has already analyzed his own film very clearly, the film is a film after all, even if it looks real, it cannot be real. Using fiction to interpret reality, and using the perspective of bystanders (two fictional directors) to create an alienation effect, this director is calm enough, but no matter how calm he is, he is still the movie "Magician".