Like a few freehand paintings under very light brushstrokes.
After the earthquake, everything was lost, a certain kind of equality emerged, and a certain kind of courage grew.
Finally being able to say what you love in your heart, even if the response is silence,
but you can still repeat it again and again,
silence is not rejection, or there is some kind of hesitation or encouragement?
Every frame is beautiful.
Even the dilapidated house, a little nostalgic blue-green window lattice, a
few pots of dim flowering plants,
that kind of light, is also old, but it feels peaceful and beautiful.
I noticed that there are hydrangea in the potted plants.
I didn't like the flowers that my mother kept.
Later, I saw one small coffee shop after another in the square in Moscow. One of the
shops was surrounded by hydrangea flowers.
It looks good, thinking that maybe ordinary flowers will have magnificent beauty as long as they are piled into pieces.
After watching this video, maybe you will fall in love with hydrangeas in the future? At the end of the film, Taheri and Hussain in white dresses and white shirts are running
on the ground of the vast olive trees. In the last shot, there are only two small white grains, which are small and warm. Director Abbas gave him enough time to stubbornly chase after her. When the music of the film is replaced by a cheerful tune, there is also joy. "As long as we live, we will continue to live. Maybe the next earthquake will kill us all."
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