In the eyes of many viewers, the ending reversal is a bit deliberate, and even leads to the logical confusion of the entire movie. But this ending helped me solve most of the doubts about the former part of the movie and even the female protagonist.
1. The heroine can hide quietly and wait for the murderer to leave before finding a way to ask for help. 2. Even if you want to find the phone to call the police and move eagerly in the room, you should not move if you witnessed the murder in the second location—the closet. 3. From leaving the room to the gas station and then driving into another car, there are countless ways for the heroine to escape safely, but the heroine always chooses to follow the murderer, hoping to save her "beloved" friend.
Well, I will convince myself that love gives the heroine the courage for the time being. Later, when the identity was revealed, the above doubts were dispelled. The heroine can't leave the murderer, every time she chooses is a self-struggle to save and kill.
There are already many classic movies about schizophrenia or multiple personality. It seems too pediatric to watch this movie again today in 2010. I admit that the movie logic is indeed not rigorous enough, but it is better than the tight rhythm and the search for some details in the room. Many friends mentioned that the reversal at the end made the logic of the whole movie messy, so I was going to open my mind to find a plot interpretation that I think might be reasonable for this movie that does have a logical problem (or a part of the movie that is not clearly explained at all).
1. It is assumed that the heroine is from this village and is very familiar with the environment here. It may be a classmate of a long-haired girl at the same time, or it may not be. But I have been secretly in love with long-haired girls. A. The hostess drove home with the long-haired girl and stayed at the long-haired girl's home that day (the girls are in good relationship and staying overnight is normal) B. The hostess did not drive home with the long-haired girl. It was her imagination, eager to establish contact with the hostess in normal life, pretending to be her university friend. The truck parked outside the house before is the hostess. It is estimated that the long-haired girl is coming back after the holiday, come and watch, by the way, YY. (Of course I didn't live in the hostess's house) The next night I saw the long-haired girl taking a bath outside the room, and then I started madman mode.
2. There is only one car in the whole journey, that is, those two trucks. The yellow car driven by the heroine is a chase of the murderous personality and the heroine's kind personality. The continuation heroine is from Murakami, and the heroine is not a long-haired college classmate. The hostess is actually a worker at the gas station. Only in this way can it be reasonably explained that the heroine (when the murderer is in personality) is greeting the gas station brother, and the murderer’s clothes are the logo of the gas station.
3. Others and why two personalities can act at the same time, this is not the focus of the discussion. This situation has appeared in many films, one is the sequence of occurrences; the other is the manifestation of the struggle of two personalities. (Of course, driving two cars at the same time, as explained above, only one)
Summary: Even if you force your brain to make up for it, it can't restore the logic of this movie. It's just that the explanation of a movie is always uncomfortable. You can only find a way to make it round by yourself, hahahahahahahaha.
By the way, there are pictures of other girls on the truck. There are also two interpretations, A, the heroine killed others in the name of love; B, the heroine's murderous personality, self-enriched personality construction, making this personality more reasonable.
above.
View more about High Tension reviews
