The comparison between over-marketing and reality is like I bought a ticket for "The Grandmaster", but walked into the screening room of "Ip Man".
The fight scene was very nice, but it was made into a superhero like Yan Shuangying. With one foot 20 meters, several people beat a hundred people for three seconds. The most embarrassing thing is that nearly 100 people with AKs fired collectively for dozens of seconds without seeing the enemy. Li Yunlong has long criticized such soldiers.
Miserable for miserable, sensational plot design, the people can pounce on the machine gun like a bird just out of the cage; a coincidence arrangement like a martial arts novel, Zhang Wuji found a miracle similar to Jiuyang Zhenjing and survived, the old man who went to the wrong studio. Set of cave shelters.
This film has a lot of content, but there is no good choice. It forcibly mixes Italian-style revenge, personal heroism, and trust in national power, making the main line of value disappear in the fight. If there is no background of Chinese evacuation, what is the difference between this and "Stupid Killer"?
The great thing about Wolf Warrior 2 is that it was presumably a precursor to shaping Chinese screen identity. Intent to change the situation in theaters, where audiences laugh at the presence of Chinese officials, and have a fascinated trust in American power. (Although this kind of value output is the specialty of American movies) However, the quality of a movie should not be influenced by popularity most of the time, not by the representation of disadvantaged groups. By criticizing Xiao Xianrou, the "cultural and political correctness" that intends to create a tough guy + drama cannot make it a super-first-class movie. Lyrics like "Without XXX, there will be no new China" will never be more literary than "Da Jiang Dong Go".
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