From the perspective of the animation film, it is not the smoothest mirror rotation (especially in the fight), but the production of each frame is really fine, whether it is oppressed by the hard and cold urban cracks The sense of suffocation and the powerlessness in the eternal apocalypse are all shown in the impact of the lens and the use of light and shadow. (The only thing worth complaining is what the blush was when Zulu took off his helmet, which is a foul in this kind of film with an inorganic sci-fi core...)
And the stripping of the story and the whole worldview is gradual , the first ten minutes were full of puzzles and unintelligible. Gradually, the grand worldview slowly emerged, whether it was the apocalyptic rule of the apocalypse, or the step-by-step deep underground of the residential area, even the powerful pistol of the male protagonist Wuhai, if Xibo didn't say it, how could we know it? It's the legendary graviton radiation ejection device (brain death) that was so crazy that it burst. However, there is a downside to peeling layer by layer like this. Even at the end of the film, one does not know where Wu Hai came from, what the underground world he said is like, and what is the cause of being infected. The sense of loss that is still unknown to the end, especially for the audience with obsessive-compulsive disorder. (But maybe because of the limited length of the movie, maybe it's more elaborated in the comics). However, Bi Ping Mian's imagination is really rich, and some novels, even if they are purely fictional, have shadows in the real world. This work is based on an overhead world view. The ancient world mentioned by the village chief, the ancient gene that Wuhai seeks is an ethereal and unreal product called "net terminal genetic factor", the world recognized by human beings. Rules are also "universal" values that have been arbitrarily eradicated by Safeguard. The first time I heard these powerful words, my head would be buzzing (I knew I was still the second grader of middle school).
Since I saw it on bilibili, I couldn't feel the shock of the sound. But I heard that this movie is the first anime that uses Dolby Laboratories stereo effect, especially the moment when the gravitational radiation ejection device is ejected, you can feel the slamming sound in the theater, and the real distance from a distance to the tip of your nose. Feeling, it is simply a feast of sound. Bgm can't be called a masterpiece, and it is quite satisfactory in terms of plot promotion, but if you think about a film that should be inorganic, it would not be suitable if Hisaishi would give Yuki Oura a knowing blow. Moreover, the exorcism-type creatures will approach the tension at any time, and the shape is quite good. I don't know if it is due to the bgm or the plot or the camera processing. The tension is no less than any zombie movie.
For the purpose of the whole film, the genes for adventure and exploration are in the bones of human beings. What is on the other side of the sea of human fantasy in the age of sailing, just like this film's longing for what the world on the other side of the wall is like. That's why the village chief chose to follow Xibo and Wuhai to find the so-called factory and go to a safer area no matter how many unknown dangers he encountered on the road. It's better than being kept in captivity (hey, it's the Attack on Titan). Far travel may be the gene more ancient than the genetic factor at the end of the net.
I looked through the film reviews of the Japanese islanders, and they were overwhelmingly praised. The voices of opposition were mainly from the original party, "Will the heroine be too noisy, using the best-selling seiyuu to reduce the loneliness of this comic (the lines are terrifyingly few) ) are all obliterated???" But I think that whether it is a pig teammate or a heroine, animation must have it, no matter what animation is, it is also driven by sound, action, light and shadow, scene, and tension. But I can also quite understand the tension from nothingness brought by the original comics.
Will the current human beings be too confident in themselves, really afraid of the day when the machine authority will suppress human beings, and even forget that they were once the masters of this world. Cities do not reproduce by themselves, what reproduces is just the desires of human beings living in cities...
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