Some of the coincidences designed for the progression of the plot are slightly stronger, but in general, this film can still be called shocking. The plaintiff's lawyer is a character who could have developed into a villain, but in the end he solemnly admitted the injustice of the law in court, showing that the strong moral reflection pre-implanted in the filming even surpassed the drama itself. And this moral reflection is great.
The characterization of the murdered is not unexpected, but it goes beyond the stereotype of the genre film and enhances the dramatic depth of the film, which is the second highlight.
The film is based on real events, and it is unknown if the prototype is also a young lawyer of Turkish descent. If not, it is a little political correctness, but the identity itself is a little tasteless on both the left and the right.
(Towel City)
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