From the beginning to the end The tail is also shrouded in the familiar plot of the Japanese people....
Except for the exquisite CG effects (the character rendering is not as good as "Apple Core"), the poor character setting and the plot are not to mention, the overall story pattern of this animation is worthwhile From
material to communication, Japan, which has been blocked from foreign countries for ten years, is a mystery in the eyes of all countries in the world. When American secret troops infiltrated Japanese territory, they found that there was only one castle left in the land once called Japan-- ---Tokyo. Human beings are almost extinct, and the few remaining lives are being turned into half-humans and half-machines under the action of toxins.... The end is that the collective dies out, and the Yamato nation disappears.
This "2077" could have been seen The film is a story about the last struggle before the genocide, and then ends with a hopeless pathos.
But the film's characterization ruins the setting. All the details, characters, and plot twists are almost a failure, and the characters are empty. , The injury is very thunderous, and the ending is very abrupt...
The second half of the film seems to be a script that was dealt with. Xiaobai screenwriters (including Zeng Liwenyan) only had the "failure" experience of "Apple Nuclear War 1" before. The narcissism and unprofessionalism of the director and the screenwriter pushed 2077 to an embarrassing commercial position... I believe that 2077 does not have a screenwriter team to check the plot. Who can shake the director?
If you say a lot, you can also see that the Japanese animation industry seems to have some kind of institutional shortcomings in film production, which is far from mature as manga and TV animation.... A junior creative team like 2077 can be funded, just It is enough to mobilize a large number of special effects departments to shoot large-scale 3D animations that are time-consuming and labor-intensive.
Those directors who are prominent in the industry should have a reputation for self-awareness and incorporate themselves into the standard film production process, rather than stand on their own feet and create "Dahe Heavy Steel"... This kind of arbitrary production style and "locking the country" "What's the difference? (From the perspective of Japanese animation in recent years, most of those movies with huge investment are making the same mistakes, and there is absolutely no chance for more capable people to show their ambitions. These old-fashioned styles are also applicable to Hayao Miyazaki, Mamoru Oshii. Otomo Keyo, etc.)
Japanese cinema animation has no shortage of technical talents, but the adaptation link is far from in place. The original power of comics and TV seems to be unable to intervene....
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