The films of the Japanese geek director Sono Ziwen are actually mixed, the good ones are quite good, and the bad ones can't be said. The good ones are as cold and profound as "Icy Tropical Fish", the poor ones are as superficial and wretched as "We Are All Superpowers", and even "Real Devil Game" is more in form than content, and even made into a strange movie that spreads as a gif. It's really hard to believe that these films are the work of Sonoko Wen alone.
Fortunately, Yuan Ziwen has enough works. If you don't like it after watching this one, you can wait for his next movie, it won't be long anyway. His diligence is somewhat like Miike Takashi. Most of the Japanese are workaholics. They shoot whatever they like or don't like. Miike doesn't let go of children's films. In contrast, Sonoko Wen has to continue to learn from him (Sono Ziwen has always regarded Miike Takashi as an idol).
"Hell Kai Mila" is Sono Ziwen's work in 2013. I downloaded it at that time, but I didn't finish it until today. In fact, I had already watched half of it at the time, but it felt very boring, especially the repeated playback of the opening song "Brushing Your Teeth", which was annoying, so I gave it up for five years.
The first half of "Hell" is very protracted and trivial, making it impossible to grasp seven inches, and I don't know what the director is going to do. But this is the biggest feature (or disadvantage) of Yuan Ziwen! Many of his films have this problem, even "Icy Tropical Fish", but when the audience's enthusiasm is about to fade away, Yuan Ziwen can immediately turn on the fire and pour out all the bloody and bloody things, and make the audience Fried outside and tender inside! Therefore, "Hell" only got better after seeing the second half.
This film is actually a story within a play. A second-generation black girl wanted to be a star. By chance, she found a group of amateur DV movie lovers to help film the film. Their ideas were used by the black boss, and the studio turned into a There was a real gang fight, and the bloody blood flowed in the real knife and real gun battle. It wasn't just the gang members who were red-eyed, the film crew also held submachine guns in the blood and started to kill. Finally, the police came to clear the scene and executed the two gangsters and all the crew members indiscriminately.
The end of the film is more like a prank dream played by Sonoko Wen on the subject. In the play, the director managed to get out of the dead, grabbed film and tapes from under the bodies scattered in various rooms, and then fled the scene, laughing hysterically and running wildly on the street. As he ran, he imagined that the pile of films he was holding became the masterpiece, and he became famous and realized his long-cherished wish for many years. But then he disappeared into the streets in the early hours of the morning, and everything was quiet, as if nothing had happened. Isn't this director who is covered in blood and dreams of a "master" the naughty and self-deprecating Comrade Sonoko Wen!
Yuan Ziwen created a beautiful dream, and then used a machine gun to slaughter all the illusions, his heart can be punished! It can be said that 90% of "Hell" is hysterical and heartless, and 10% is sad and hopeless. After watching this movie, I like Yuan Ziwen even more. Although he is far away from the "Master", his madness is on his own, and he has become the "Big Fairy" in the hearts of some serious audiences. He should be content too!
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