A group of teenagers who can die to make a good movie, two gangsters who are at odds with each other, Mitsuko, the goddess of the whole people (Is this the first love of an old pervert, most of the heroines of the movie have this name, or they are too lazy to name them at all ←_← ), get together and fight to the death like a child's play, to the crew of the dead. Sonoko Wen's films have a unique style, and I always like to compare two other directors with him, one is Quentin Tarantino, who represents the aesthetics of violence, and the other is Takashi Miike in the perverted world. In terms of violence, he is not as beautiful as Quentin, and in terms of perversion, the old thief of Sanchi dumped him a few streets away. Crazy, but it is beyond the reach of others. His madness, expressed in the conception of the story, the exposure of love, mediocrity, the mysterious circus, and Noriko's dining table, all make people feel that reality and drama are blurred. It is manifested in rich elements, sex, violence, rituals, voyeurism, deformed characters, the protagonist who lives to the death, the love, or the obsession with love, the madness that leaves no room, even if it is hell, what's wrong with hell . Perhaps, this is also the way of Yuan Ziwen's life, and also, this old pervert must have an obsession with girls.
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