A mom in baggy trousers brought her son, who looked to be around ten years old, to buy tickets. The son wears the yellow ear-protecting cotton hat commonly used by Beijing elementary school students in winter. Mom asked what movie today, but I didn't understand the name and asked again. The uncle who checked the ticket next to me said, have you seen the introduction of this film? Might not be suitable for small children. Mom is stunned, isn't it, I don't know. Obviously the uncle and the guy who sold the tickets didn't know either. The uncle just said that it might not be suitable, because the films we put on Saturday and Sunday are not recommended for children to watch, and many of them have not been edited. Mom is confused. The young man who was waiting for the opening scene talked to him, this movie is about murder. The uncle continued to say, yes, it may be particularly violent and bloody not suitable. Mom asked, is it particularly scary? Boy: Not really, but. . . In the end, the mother still did not buy a ticket and left with the child. (Morning's evaluation was very accurate later: in fact, children may not understand, but when they grow up, they will think deeply.) I was very worried about the middle-aged couple sitting on my right. I noticed when they bought the tickets. They don't know what kind of movie this is. They brought sweet potato chips and potato chips in bulk, cellophane squeaking. The woman kept answering the phone before the opening, talking loudly about business, and didn't mean to turn off the ringtone. I'm going to remind her if she answers the phone while she's watching a movie. At the beginning of the film, they were still discussing whether it was a Korean film or an American film. Then occasionally discuss the street appearance, it is quite quiet. The phone did ring, the woman hung up first, and then went out to answer the phone twice, which I thought was fine. It's not annoying when they discuss. When the police knocked on the glass window and asked the heroine if she wanted to come down to take a look, the man said: The child is dead! (Score!) The woman was not sure at first, but then she looked at that long shot and said, what are you doing back here, lost the child! In the prison scene, the heroine met, and they accurately captured: "She is unbalanced." When the heroine seduced the parishioners and got out of the car, the woman said: She wants to strangle him, strangle him! Man: Why? Woman: She hates him! Man: Why do you hate him? Woman: Because he made her believe in the Lord. (Score!) What I didn't expect was a young girl who was late two or three seats to my left. Take your shoes off and either curl up on the chair or put your feet up in the front empty chair. The laughter is surprisingly low, and the laughter is surprisingly loud. Uncle Song was overwhelmed by the pursuit of the heroine, she laughed; the heroine went to the prison and found that the enemy also believed in the Lord, she laughed; the heroine fainted at the gate of the prison, she laughed. The heroine seduces the parishioners, and she laughs. Check out the circle of friends, come back and laugh. impressive. ------------------------------------------------ -------------------------------------- Jeon Doyeon's god-level performance. We say that a person's emotions are simple and rude. There are only positive and negative emotions. The positive ones are all happy, and the negative ones are all anger - like a baby. And Jeon Do Yeon's performance in this film is really textbook. Performance is also a kind of expression, pay attention to the way, after all, film is an art that follows the principle of vision. Even though Jeon Doyeon herself does not have such rich experience, she is an amazing actor who actively mobilizes all of her and expresses it accurately. She is a very reassuring actor, you don't have to worry about going out when you watch her performance. I was very nervous in the prison scene, including the last encounter with the murderer's daughter. The photography is also very supportive, the editing doesn't use close-ups too much, the characters can be played outside, and the film is very restrained. Koreans are actually very similar to our Chinese in terms of emotional expression. They are not as restrained as the equally developed Japanese, although their workplaces seem repressive. Seeing Jeon Do-yeon and Song Kang-ho squatting at the entrance of the funeral home, I remembered that many Hong Kong people complained that mainlanders do not pay attention to their manners and love to squat on the side of the road. But in some situations, this squatting posture makes me feel a familiar kindness and appropriate casualness - she has not collapsed to the point of collapse, supporting a little strength, he is just accompanying her on the same level as her line of sight. At the beginning, Uncle Song was a frivolous girl who talked about hot pants. At this time, the heroine appeared to thank him, and he immediately became serious. Later, when other people were discussing whether the female staff was wearing underwear, he made a statement while looking for the Bible. Later, a cross was hung on his car. The relationship between people and the modification of one's life is sometimes incredible. The use of close-ups, the characters can be put out, and the film is very restrained. Koreans are actually very similar to our Chinese in terms of emotional expression. They are not as restrained as the equally developed Japanese, although their workplaces seem repressive. Seeing Jeon Do-yeon and Song Kang-ho squatting at the entrance of the funeral home, I remembered that many Hong Kong people complained that mainlanders do not pay attention to their manners and love to squat on the side of the road. But in some situations, this squatting posture makes me feel a familiar kindness and appropriate casualness - she has not collapsed to the point of collapse, supporting a little strength, he is just accompanying her on the same level as her line of sight. At the beginning, Uncle Song was a frivolous girl who talked about hot pants. At this time, the heroine appeared to thank him, and he immediately became serious. Later, when other people were discussing whether the female staff was wearing underwear, he made a statement while looking for the Bible. Later, a cross was hung on his car. The relationship between people and the modification of one's life is sometimes incredible. The use of close-ups, the characters can be put out, and the film is very restrained. Koreans are actually very similar to our Chinese in terms of emotional expression. They are not as restrained as the equally developed Japanese, although their workplaces seem repressive. Seeing Jeon Do-yeon and Song Kang-ho squatting at the entrance of the funeral home, I remembered that many Hong Kong people complained that mainlanders do not pay attention to their manners and love to squat on the side of the road. But in some situations, this squatting posture makes me feel a familiar kindness and appropriate casualness - she has not collapsed to the point of collapse, supporting a little strength, he is just accompanying her on the same level as her line of sight. At the beginning, Uncle Song was a frivolous girl who talked about hot pants. At this time, the heroine appeared to thank him, and he immediately became serious. Later, when other people were discussing whether the female staff was wearing underwear, he made a statement while looking for the Bible. Later, a cross was hung on his car. The relationship between people and the modification of one's life is sometimes incredible.
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