Jeon Do-yeon became Korea's first Canna actress with it, which is undoubtedly a boost for Korean film and television, which has always been famous for Yiyi Ya Ya Korean drama. In fact, South Korea is not without good films, but it is either accompanied by brutality or great tragedy, or life is abstracted into happiness and perfection, which is too narrow in color. Miryang is a tragedy. If the teeth of love are painful, then Miryang is already a state of mourning. I watched two films on the same night, with two queens, with varying degrees of destruction, and the film ended, leaving people breathless. What can destroy a person, loss of material, loss of lover, loss of relatives, loss of freedom... There are many answers, the answer given in the film is to destroy faith, especially for a person who has no faith at all, when she is vulnerable, it makes her seem Seeing the light, let her close the door when she regains consciousness and walk towards the light, and tell her that everything is fake. I don’t have any religious beliefs, and naturally I don’t study authenticity, so I still have lingering fears when I say these words. The first half of the film has a flat rhythm, and the second half is more and more tense. Shen Ae is on the verge of despair. She has to struggle and resist with her weak strength. "Man" is God! The director bluntly stripped the dead of the emperor's new clothes, and criticized the reality of the body, but what he revenge or resisted was not religion, but just told the viewer's heart.
What is Miyang? a place. What kind of place is it? Some people say it is a place with dense sunshine, and others say it is the secret of sunshine, but at the beginning of the movie, when Shin Ae casually asked this question to the local driver, the answer he got was that it is the same for living people everywhere.
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