When a good director makes a serious film, behind the plot narrative and lens language, there is usually the author's point of view or value orientation throughout. Director Li Changdong, who was born as a writer, has another advantage. He can directly use deeper discussion and thinking as the cornerstone to organize narratives and shots, and ideas come first. In the film Miryang directed by Lee Changdong, he directly tore Jeon Doyeon's wound with blood, and analyzed the contradiction between redemption and human nature in reality. In his philosophy there is no redemption beyond human nature. Jeon Do-yeon's son was kidnapped and killed, the judgment on earth imprisoned the body of the perpetrator, and his spirit was judged by God. If his spiritual God will deal with it, does it still need the forgiveness of the victim Jeon Do-yeon? The answer is no need. Before Jeon Do-yeon forgave him, God had already made the first move and quietly gave the perpetrator salvation and eternal peace. Because of the correct refuge, the perpetrator did not fall into spiritual purgatory, but was with God. On the contrary, the victim was thrown into the eternal purgatory, tormented by the soul, without peace. God’s judgment is simple and crude, both parties have original sin, and no one is more guilty, as long as they believe in God, they can be redeemed. This sentence is not fairer than the gourd monk's official government, who is in charge of the flesh. If you stand too high, he can see everything in the world, but if you stand too high, you will be too far away, and you will not be able to feel these subtle differences in human nature. How can such a management method not cause riots of souls and collapse of beliefs?
The victim of God's injustice not only destroyed the idol in her heart, but also put it into action in the flesh. Her fist of resistance smashed against the messengers of God in the world. The glorious saviours and immortal emperors are all for your own good, but they hurt people the most; the wretched uncle Song Kanghao is full of his own little ninety-nine, and his gestures reveal the secret sunshine of humanity. Jeon Do-yeon looks at the mirror held by Song Kang-ho and cuts off the past. It is self-evident that happiness depends on it. The air at the end stopped on the ground with broken hair, muddy and dirty, like the past that has been cut off...
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