- women always torture those men who love her.
——In addition to hurting the people who really love her, who else can she hurt?
The above two sentences are Master Gu Long’s comment on Lin Xian’er. Ah Fei loves Lin Xian’er, but he doesn’t know that Lin Xian’er is dissolute and cheap. After knowing Lin Xian’er’s past history, Ah Fei still sincerely hopes to continue with Lin Xian’er. He deceived Ah Fei again and again, and trampled Ah Fei's sincerity and dignity on the ground again and again. Of course, Lin Xian'er was not the only one who tortured and ravaged Ah Fei.
If Master Gu Long's words were put in "La Traviata" or "Moulin Rouge", it would make perfect sense to describe a man.
Love comes out of nowhere - so passionately when he loves her.
In the book, Aman is an amorous young man who becomes stupid after falling in love. He is affectionate, cute, sensitive and jealous. However, the beautiful Margaret saw the amorous tears of this handsome young man. When she was ill and coughed up blood, he was the only one who chased after her. She was worried about her health and wept for it.
Of course, Aman is indeed a kind and sincere lover, but he has the problem of being sensitive, proud and suspicious of middle-class youth. People in love always worry about gains and losses. He loves Margaret, and he loves her wholeheartedly, treating her as his life. One and only and all that is required of her.
However, he forgot that Margaret was not a duchess of so-and-so, not a noble daughter, a prostitute and a courtesan. Life forced her to deal with the powerful and powerful around her, and he wanted her to cut off from the second day he met her. everything related to the past. He was jealous, sad, and felt that he was being toyed with after he had closed the door over and over again, but at this moment she rushed to him, saying that she would forgive his childish jealousy and that she was willing to leave the bustling life behind. To go with him on a holiday in the Paris countryside to recuperate.
I deeply doubt - in this world, there are only goddesses who can give up their self and give at all costs to love a diaosi who can give nothing but love - such as the Chinese Seven Fairies, Hong Yu, Xin Shi Shi Niang and Margaret of France.
Of course, this sentence also has another more direct statement in Dumas, the father of Dumas, the author of "La Traviata" - "a beautiful woman should give her everything".
There is no doubt that the thirty-year-old Garbo is indeed a living goddess. Although she is no longer young when she plays Margaret, she has obvious forehead lines, eye bags and loose skin, but this is not the case. Get in the way of her beauty.
In the original book, Margaret's charming and affectionate, gentle and neurotic left a deep impression on me. She coughed up blood while talking, laughing and drinking loudly. In the eyes of a lover, there is Xi Shi. In Dumas's writings, this girl "talks like a porter", but she has a noble and elegant incomparable to other prostitutes. This kind of aloof temperament makes her attractive to countless nobles, such as her dry Father XX Earl, and many follow-up suitors.
She is willful and naive, even a little childish, and she leaves after falling in love with Armand; she is affectionate and playful, and can cheer like a child in the country; she is kind and great, and she gave up her own life for her lover. Love, dignity and life, treat one's friends and even servants with generosity and tenderness.
Perhaps Garbo's performance of Margaret is not so delicate and delicate as the original novel, nor is she the sentimental neurotic, not debauched and crazy enough, but Garbo is absolutely beautiful and lovely, with a noble and charming expression, and a gentle tone. The nasty and greedy Prudence threw her purse out of the window as a mischievous act, and there were many details about this person's cuteness and wit. The 36 version of La Traviata is not young enough, but it is better than her script lines and actors, such as "My heart is not used to happiness, maybe it is better to live in your heart, in your heart, the world will not see me. It's gone." Another example is Margaret in the Paris countryside, talking about herding cattle with the maid, and galloping through the countryside in a simple carriage with Armand. Really cute and innocent.
Garbo's La Traviata may not be in line with the original book. She is too extravagant and elegant, too dignified and quiet, and she doesn't have the frivolity of a dusty woman. No matter when and where she is, she is a kind queen and queen. But Garbo's La Traviata is undoubtedly the most in line with the noble soul of the original, Margaret who is always so noble and pure in front of love, Margaret who is still a virgin in the dust, whether it is secular prejudice or Margaret, who could not be defeated by the pain and suffering, should be as noble as Garbo.
The topic goes back to the love story - because Margaret the Camellia fell in love with the enthusiastic young Aman, she was willing to give up the bustling and noisy urban life circle, and went with him to the countryside to recuperate and vacation. She also spent time with her during the period. A lifetime of ideas. However, Amon's father appeared at this time, sternly accused Margaret of seducing his son, and begged her to leave Armand's side. Marguerite returns to Paris silently for Armand, and makes Armand misunderstand that she is a vain and wealthy woman and hates her deeply. Sure enough, Armand, who lost Margaret, lost his mind, and then carried out a series of insults and revenge on Margaret. Margaret died soon under the double torture of illness and mental blow. Before his death, Aman learned the truth from his father whose conscience was tormented. He rushed back to Margaret and confessed to her that Margaret left quietly in the arms of her lover.
I have no doubt that Traviata's method of self-mutilation and self-mutilation to complete the lover is the originator of all romance novels. Before this, I seem to have never seen a protagonist in love so fast and brave to return to torture himself. So heartbreaking. Nowadays, this kind of bridge is still widely copied and imitated, and it has endured for a long time. The worst copy is Gu Long's Xiao Li Feidao. If Margaret's self-abuse is a noble sacrifice for love, Li Xunhuan's style Self-abuse aside from making people see that this person looks down on women very much and that some gays are narcissistic, even though Gu Long has always boasted about what a great gentleman Li Xunhuan is, he gave up women for his brother. However, apart from the cowardice of this person, I still can't see where the loftiness of this person is.
To bring up the words of Master Gu Long again - "In addition to hurting those who truly love him, who else can they hurt?"
Yes, young Armand, your Margaret left you without your knowledge, and you feel deeply betrayed, and you want revenge. You insulted her in front of her, scolded her, found a younger and more beautiful woman to kiss me, smashed a lot of money into her face, and duel with her lover... These childish, crazy and angry actions are nothing but In exchange, her condition deteriorated again and again and her face became paler and pitiful. She decided to separate from you with noble feelings, but you continued to hurt her.
Why do you want to hurt her? Why is she hurt by you again?
Just imagine if she doesn't love you, how can she be tortured again and again because of your ridiculous actions?
Anyway, after watching La Traviata, I didn't really like Aman very much. Young people, having love and passionate love, are naturally good, but such an exclusive and reckless willful love, such selfish and cruel hurt is really unforgivable.
When you love that woman, you say, I can't give you anything but love. Yes, what a cheap and extravagant word love is! Margaret, as beautiful as a flower, with a graceful age, is a peerless treasure in the eyes of all the nobles and grandchildren of Paris. She is committed to the "love" in your mouth, regardless of your empty confession and hopeless future, giving up everything in the past. Bad habits, just for the love in your mouth.
It's a pity that your love is so fiery, yet so capricious, that even when the woman leaves sadly and pleads in a low voice, you won't let it go.
If there is such a lovely and beautiful woman as La Traviata, how could she commit herself to you?
The interesting thing is that La Traviata did have someone in those days. It was the famous Parisian prostitute Alfoncina. She was born in poverty. Na, but this love ended without a hitch. And Alfoncina passed away early because of her sensual life.
Let's take a look at this letter that Dumas wrote to this stunning and beautiful prostitute, which is really exactly the same as the original novel:
Dear Marie:
I wish I could love you like a millionaire, but I can't, I wish I could love you like a pauper, but I'm not so worthless. So let's all forget about you It's forgetting a name that doesn't matter. For me it's forgetting an unfulfilled dream. There's no need to tell you how sad I am, because you know exactly how much I love you. Farewell Mary! I don't understand why I am writing this letter to you, you are very smart and will not forgive me for this move. I
will always miss your AD
unfortunately - the so-called super-perfect lover is only in the mind of a scholar's daydream It will appear in prostitution.
Or even if there is, she doesn't belong to you.
Is there any smart and elegant peerless beauty in this world? Yes, and they grab a lot of them, but unfortunately, smart and beautiful women are of a relatively high standard. I am afraid they will not commit so easily. I am afraid that they will not be so affectionate. For example, Wu Zetian and Cleopatra, you absolutely cannot. Deny her beauty, but you absolutely can't afford this kind of woman.
In reality, are there any beauties who are beautiful, elegant, and stylish like Margaret, and who are infatuated with peerless beauty? Yes, but only if you turn yourself into General Cai E before Xiao Fengxian will embrace her. If you were Hou Fangyu, Li Xiangjun could only cast aside you.
Aman, passionate young man, you love that woman, you have nothing but love, no ability, no wealth, no mind, really nothing but love.
Fortunately, you love the beautiful Margaret. This woman with a very kind and noble heart does not hate you because of your jealousy, nor does she despise you because of your jealousy, just because you shed a drop of love for her. tears.
But what did you give her? In addition to love, there are fatal injuries.
From the moment she committed your love, she gave you the right to hurt.
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