I can't say anything anymore. "Blood Bridge", "La Traviata", "Anna Karenina", "Madame Bovary" are some of the films that are more appreciated in the La Romance Film Unit. These films have a common feature: they all pay more attention to the importance of the film text. Of course, many films in the early part of the last century were deeply influenced by theatrical art. Also because of my professionalism, I have a subjective favorable impression of this type of film. In "Soul", I personally think that the best part is the first half of the film, that is, after the two meet on the bridge, before the male lead officially goes to war, the two people confirm the relationship, the two people confirm the relationship, Even if the heroine had to choose to become a dusty woman because of financial embarrassment, but with such a desperate love, it seems that this romantic treatment is enough to make the audience forget what happened to the heroine in the end. Compared with the heroine played by Vivien Leigh in "Soul", the heroine in "Tea" is obviously not enough for her desperate efforts for love, because the latter will worry about the male protagonist's future and the male protagonist's family. I don't like myself enough. So romance and reality, an excellent performance in love stories is to fall in love with a person, but face all kinds of obstacles, so how should the male and female protagonists (mostly female protagonists) choose.
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