In the end, they finally came to Germany, and in the hopeless desolation they held on to the big tree of hope. I think this is the most lonely and poetic scene. Here, the role of the younger brother is changed from being protected to a protector, and he begins to tell the story of the light in the dark. Although it echoes with the title, it is also slightly deliberate and abrupt.
An Zhe's storytelling does not rely on lines or plots, but through the language of the camera, performance, and conveying a certain emotional information to the audience, gradually reaching a consensus in the audience's experience. An Zhe's films are undoubtedly for the audience. If the recipient does not have the same compassionate and delicate heart, and does not have the sensitivity to beauty and cruelty, then the viewing process must always be alienated and boring. On the contrary, it is an experience that touches the soul.
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