Among the ancient poems that must be recited in high school, I like Li He's "Li Pingkong Hou Yin". I especially like the sentence "Dream into the mountain to teach the goddess, the old fish dances the wave and thin Jiao dance." I will try to imagine how far-fetched and graceful it is, especially the "old fish". It was the first time I heard that "old" could be used to describe a fish. At the age of 16, I thought it was surprising and incredible. So, Li He, who had a peculiar idea and a beautiful heart, suddenly conquered me. Until now, when I see the strange scene in an instant, I can't help but think about how postmodern "Kunshan Jade Broken Phoenix Cries" and "Cold Light Melting in Front of Twelve Gates" are. But it is said that Li He did not live long before he died without a disease. The poet who was deeply in love and could think of "if the sky is in love, the sky is old", he was anxious all his life, and he was only 27 years old when he died of depression. The first movie I saw when I was 25 was the McQueen documentary. I'm not a person who is particularly proficient in fashion, but when I saw "No. 13" in the spring and summer of 1999 and "VOSS" in the spring and summer of 2001, I was definitely moved by these two shows, just like seeing those crying The genius of ghosts and gods spans time and space, and outlines the most jaw-dropping ideas, rooted in fashion, but beyond the full meaning of the word "avant-garde", and at the same time so affectionate. Spring/Summer 1999's "No. McQueen said his presentation didn't make people feel like they just had Sunday lunch after watching it, he wanted to make people feel reverberated, maybe energized, maybe expelled. Therefore, it is not surprising to feel aggression and offense on his show. The highly emotional, even gorgeous, deliberate manipulations capture the greatest surprise. This is an incomparably advanced aesthetic trap set by him. Just immerse yourself in it and enjoy it. But after indulging, he would want to touch his hidden darkness, because the kind of dark room that burst out in the purest of deceit, rejected everything Dongxi was driving, and was often the most vulnerable. The sound of horns fills the sky with autumn colors, stuffed with Yanzhi and condensed night purple. When I feel for Alexander McQueen, I always remind myself to be very cautious and try not to adjust his self-indulgence, so that potential high-risk readers will misjudge the rationality of ending life. But just like when Li He was dying, it is said that he saw a messenger wearing a red robe and driving a red-qiured chariot descending and inviting him to write an inscription for the Baiyu Tower, which was newly settled by the Emperor of Heaven. Fantastic. McQueen said his presentation didn't make people feel like they just had Sunday lunch after watching it, he wanted to make people feel reverberated, maybe energized, maybe expelled. Therefore, it is not surprising to feel aggression and offense on his show. The highly emotional, even gorgeous, deliberate manipulations capture the greatest surprise. This is an incomparably advanced aesthetic trap set by him. Just immerse yourself in it and enjoy it. But after indulging, he would want to touch his hidden darkness, because the kind of dark room that burst out in the purest of deceit, rejected everything Dongxi was driving, and was often the most vulnerable. The sound of horns fills the sky with autumn colors, stuffed with Yanzhi and condensed night purple. When I feel for Alexander McQueen, I always remind myself to be very cautious and try not to adjust his self-indulgence, so that potential high-risk readers will misjudge the rationality of ending life. But just like when Li He was dying, it is said that he saw a messenger wearing a red robe and driving a red-qiured chariot descending and inviting him to write an inscription for the Baiyu Tower, which was newly settled by the Emperor of Heaven. Fantastic.
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