Luc Besson is good at the collision of extreme madness and cold face gentleness, often pushing it to an extreme, and the ending is closed before the audience can digest the reaction. Only a little tail marks the lingering aftertaste under the extreme.
I have to wait until I finish watching and calm down, and I want to become more and more fascinated. When I looked at it, only the extremes that he was struggling with stood out in my eyes. Jet Li’s style is often clean and tidy. The character's personality is like his skill. Once he decides, his previous thoughts will not be intrusive. He was left with the only opportunity to show his characters, and only when he was struggling did he reveal his inner self.
But Luc Besson will not give the audience a chance to see that he is struggling. He wants a single extreme collision to break the inner part under the crack. As a result, the villain was not strong enough to be touched.
When it's over, the two of them don't want to take advantage of their shortcomings, but they also avoid their shortcomings.
This film, if it weren't for the two famous names of Luc Besson and Jet Li, it would be a masterpiece. But with these two flags hanging, who didn't hold high expectations and open them. As a result, for the sake of integration, I gave up what I was best at.
If one party is weaker, slightly less balanced, and highlights one of the characteristics, I am afraid that this will not be the case. The depth is not deep enough, and the brittleness is not brittle enough.
"The king does not see the king" is a curse.
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